{"id":18131,"date":"2019-12-05T16:30:46","date_gmt":"2019-12-05T15:30:46","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/?p=18131"},"modified":"2019-12-23T13:05:06","modified_gmt":"2019-12-23T12:05:06","slug":"art-as-means-integration-rothko-exhibition-lampedusa","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/art-as-means-integration-rothko-exhibition-lampedusa\/","title":{"rendered":"Art as an approach of integration to the Rothko exhibition in Lampedusa"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_column_text]<\/p>\n<div class=\"figure\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-17751\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Dress-For-Our-Time-Bianca-Balti-3-Rothko-in-Lampedusa-performance-May-2019-Venice.jpg\" alt=\"Dress For Our Time-Bianca Balti 3-Rothko in Lampedusa performance-May 2019 Venice\" width=\"1280\" height=\"800\" srcset=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Dress-For-Our-Time-Bianca-Balti-3-Rothko-in-Lampedusa-performance-May-2019-Venice.jpg 1280w, https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Dress-For-Our-Time-Bianca-Balti-3-Rothko-in-Lampedusa-performance-May-2019-Venice-600x375.jpg 600w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/div>\n<h2>Art as a means of integration: the Rothko exhibition in Lampedusa<br \/>\nEnhancing the creativity heritage that refugees bring with them in their flight, is a contribution that greatly enriches the communities that welcome them: this is the Rothko project in Lampedusa.<\/h2>\n<p><strong>Spreading CreActivity<\/strong><br \/>\n<strong>22 November 2019<\/strong><br \/>\nOrganized by UNHCR<br \/>\n<strong>Ugo and Olga Levi Foundation &#8211; Palazzo Giustinian Lolin<\/strong><\/p>\n<p>The project organized by the <strong>UNHCR<\/strong>, the United Nations Agency for the Refugees, and curated by <strong>Luca Berta<\/strong> and <strong>Francesca Giubilei<\/strong> for the <strong>58th Venice International Art Exhibition<\/strong> ends with a round table at <strong>Palazzo Giustinian Lolin<\/strong>.<br \/>\nThe title Rothko in Lampedusa alludes to the ideal link between one of the greatest artists of the twentieth century and Lampedusa, today a symbol, rather than a place, where the masses, in a mediatic anonymity, flee from conflicts and persecutions to reach safe shores.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"2\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"2\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"2.962962962963\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Save-the-date-Rothko-in-Lampedusa-small-1.jpg\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Save-the-date-Rothko-in-Lampedusa-small\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>The project was born from the desire to offer a <strong>narrative alternative<\/strong> to the prevailing one; <strong>refugees<\/strong> are not considered just a mass anymore, or a depersonalized burden, but as <strong>unique individuals<\/strong> in their fullest potential, bringing <strong>enrichment to society<\/strong> as a whole.<\/p>\n<p>&#8220;Through art, people on the run keep their humanity, their dignity and their hope of rebuilding their country, alive. At the same time, they are contributing, in the communities that host them, to lay the foundations for a better future, made of coexistence and enrichment through diversity, &#8220;said <strong>Carlotta Sami<\/strong>, UNHCR Spokesperson for Southern Europe.<\/p>\n<p>During the <strong>Biennale<\/strong>&#8216;s opening, on May 9th, the model <strong>Bianca Balti<\/strong> was the protagonist of the performance-installation <strong>Dress For Our Time<\/strong> organized in collaboration with the <strong>London College of Fashion of the University of the Arts<\/strong> in London. The model wore a tent used by a refugee family in the <strong>Za&#8217;atari camp<\/strong> in northern Jordan, on the border with Syria, near Al Mafraq, to underline the short circuit of thoughts that makes us forget a day to day tragedy, for those experiencing it.<\/p>\n<p>The informative actions continued with the documentary <em><strong>Torn<\/strong><\/em>, with the UNHCR Goodwill Ambassador <strong>Alessandro Gassmann<\/strong> during the <strong>Venice Art Night<\/strong> and the <strong>AtWork<\/strong> training workshop organized by <strong>Moleskine Foundation<\/strong> and lead by <strong>Simon Njami<\/strong> for 25 refugees and asylum seekers from the national integration project network (SIPROIMI). These were followed by the exhibition of the notebooks prepared by the Palazzo Querini participants.<\/p>\n<p>The last event on the calendar is the <strong>Spreading CreActivity<\/strong> talk on November 22 with Prof. <strong>Helen Storey<\/strong>, of the London College of Fashion, creator of the Dress For Our Time project; a table to reflect on the role of creativity for women and men living as refugees.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"4\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"4\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.5009380863039\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Dress-For-Our-Time-Bianca-Balti-1-Rothko-in-Lampedusa-performance-May-2019-Venice.jpg\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Dress For Our Time-Bianca Balti 1-Rothko in Lampedusa performance-May 2019 Venice\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.5009380863039\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Dress-For-Our-Time-Bianca-Balti-2-Rothko-in-Lampedusa-performance-May-2019-Venice-1.jpg\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Dress For Our Time-Bianca Balti 2-Rothko in Lampedusa performance -May 2019 Venice\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>By analysing <strong>trends<\/strong>, <strong>new production techniques and human rights<\/strong>, we will try to understand how the development of creative activities can become an instrument of <strong>emancipation<\/strong> and <strong>freedom<\/strong> for those who have been forced to flee.<\/p>\n<p><strong>Moderators:<\/strong><br \/>\nFrances Corner (Warden of Goldsmiths, University of London)<br \/>\nPratap Rughani (London College Professor of Communication, University of the Arts London).<\/p>\n<p><strong>Speakers:<\/strong><br \/>\nLina Abirafeh (Executive Director Executive Director The Arab Institute for Women)<br \/>\nSue Clayton (Director, writer, composer Film director, writer and composer &#8211; Goldsmiths, University of London)<br \/>\nCarlotta Sami (Spokeswoman for UNHCR Southern Europe)<br \/>\nHelen Storey (Social artist &amp; designer &#8211; London College of Fashion)<br \/>\nMatteo Ward (Ceo &amp; Cmo WR\u00c5D)<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"6\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"6\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.5009380863039\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Professor-Frances-Corner-OBE.jpg\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Professor Frances Corner\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.0709504685408\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Dress-For-OUr-Time-Helen-Storey-jpg.jpg\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"0.98765432098765\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Pratap-Rughani.png\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Pratap Rughani\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<div class=\"rgg-container\" data-rgg-id=\"8\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"8\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"0.6025\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Lina-Abirafeh.jpg\" sizes=\"(max-width: 482px) 100vw, 482px\" alt=\"Lina Abirafeh\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.7777777777778\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Sue-Clayton.png\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Sue Clayton\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<div class=\"rgg-container\" data-rgg-id=\"10\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"10\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.5009380863039\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Carlotta-Sami.jpg\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Carlotta Sami\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-large rgg-img\" data-ratio=\"1.007556675063\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Matteo-Ward.jpg\" srcset=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Matteo-Ward.jpg 800w, https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2019\/11\/Matteo-Ward-150x150.jpg 150w\" sizes=\"(max-width: 800px) 100vw, 800px\" alt=\"Matteo Ward\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p><strong>Program:<\/strong><\/p>\n<p><strong>Spreading CreActivity<\/strong><br \/>\n<strong>22 November 2019<\/strong><br \/>\nOrganized by UNHCR<br \/>\n<strong>Ugo and Olga Levi Foundation &#8211; Palazzo Giustinian Lolin<\/strong><\/p>\n<p>6pm &#8211; Presentation and opening<br \/>\n6.15 pm &#8211; THINK THANK I Dress For Our Time, conversation: Pratap Rughani, Helen Storey, Matteo Ward<br \/>\n6.45: break<br \/>\n7.00 pm &#8211; THINK THANK II From displacement to empowerment: how can we empower women and girls to create new futures? Conversation: Frances Corner, Sue Clayton, Carlotta Sami, Lina Abirafeh<br \/>\n7.45 pm: Questions &amp; answers.<\/p>\n<p><strong>Mark Rothko<\/strong> is a paradigmatic example of a 20th century refugee who escaped from pogroms and a forced recruitment into the imperial army. <strong>Racial, religious and political persecutions<\/strong>, destiny and life condition is what he has in common with many other refugees. Rothko fled from Latvia, being welcomed to the United States of America, where he succeeded in expressing his talent, giving his entire work and genius to the whole humanity. But <strong>what would the culture of the twentieth century have been without Rothko?<\/strong><\/p>\n<p>What do we lose every day when we consider refugees arriving today in Europe as an indistinct mass, forgetting their humanity, inspiration and talents, which could instead lead to the new Rothko of the twenty-first century?<br \/>\nThere are many ingredients part of this project and many questions that the curators Luca Berta and Francesca Giubilei have chosen to answer with the exhibition hosted at <strong>Palazzo Querini<\/strong>, an 18th century palace made available by the <strong>Ugo and Olga Levi Foundation<\/strong>. Here the work of <strong>eight famous and established artists<\/strong> was presented (<strong>Ai Weiwei, Adel Abdessemed, Christian Boltanski, Richard Mosse, Abu Bakarr Mansaray, Nalini Malani, Dinh Q. L\u00ea and Artur \u017bmijewski<\/strong>).<br \/>\nAlongside them, five emerging artists tell their stories, starting right from the missed opportunity to cultivate their talent and make their voice heard. <strong>Majid Adin<\/strong> (Iranian animator, refugee in England), <strong>Rasha Deeb<\/strong> (Kurdish-Iraqi sculptor, refugee in Germany), <strong>Hassan Yare<\/strong> (Somali cartoonist, refugee in Kenya), <strong>Mohamed Keita<\/strong> (Ivorian photographer, refugee in Italy) and <strong>Bnar Sardar Sidiq<\/strong> (Iraqi photographer, a refugee in England). Their works and their stories tell us of shipwrecks, of the search for peace, of the terror that one feels when lost at sea, of the alienating life in the refugee camps, of the stereotypes that dehumanize those who live a situation of fear and of how they have made these themes a key element of their artistic career.<br \/>\nThanks to their works, these artists, even without knowing each other and with very different life experiences, will lead the visitor along a path that offers a new insight into a topic that is so current. A look not only from the outside but also from the inside as it will also integrate the point of view of those who live, in first person, the <strong>condition of being a refugee<\/strong>.<\/p>\n<p><strong>Spreading CreActivity<\/strong><br \/>\n<strong>Friday 22 November 6.00pm<\/strong><br \/>\nUgo and Olga Levi Foundation<br \/>\nPalazzo Giustinian Lolin<br \/>\nSan Marco 2893<\/p>\n<p><em>The photos were provided by the curators Luca Berta and Francesca Giubilei for Venezia da Vivere.<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1497475540233{margin-top: 50px !important;}&#8221; el_class=&#8221;box-info&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text] Art as a means of integration: the Rothko exhibition in Lampedusa Enhancing the creativity heritage that refugees bring with them in their flight, is a contribution that greatly enriches the communities that welcome them: this is the Rothko project in Lampedusa. Spreading CreActivity 22 November 2019 Organized by UNHCR Ugo and Olga Levi Foundation [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":17752,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[147,84],"tags":[],"class_list":["post-18131","post","type-post","status-publish","format-standard","has-post-thumbnail","category-culture","category-news","entry"],"_links":{"self":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/18131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/comments?post=18131"}],"version-history":[{"count":3,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/18131\/revisions"}],"predecessor-version":[{"id":18137,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/18131\/revisions\/18137"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media\/17752"}],"wp:attachment":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media?parent=18131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/categories?post=18131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/tags?post=18131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}