{"id":43399,"date":"2025-08-31T06:33:57","date_gmt":"2025-08-31T04:33:57","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/jarmuschs-debut-at-venezia82-and-jude-law-as-putin\/"},"modified":"2026-03-25T12:25:40","modified_gmt":"2026-03-25T11:25:40","slug":"jarmuschs-debut-at-venezia82-and-jude-law-as-putin","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/jarmuschs-debut-at-venezia82-and-jude-law-as-putin\/","title":{"rendered":"Jarmusch&#8217;s debut at #Venezia82 and Jude Law as Putin"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"figure\"><a href=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Ayo-Edebiri-ph.-Rossana-Viola_Mostra-del-Cinema-Venezia-2025.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-36121 size-full\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Ayo-Edebiri-ph.-Rossana-Viola_Mostra-del-Cinema-Venezia-2025.jpg\" alt=\"\" width=\"1280\" height=\"800\" srcset=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Ayo-Edebiri-ph.-Rossana-Viola_Mostra-del-Cinema-Venezia-2025.jpg 1280w, https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Ayo-Edebiri-ph.-Rossana-Viola_Mostra-del-Cinema-Venezia-2025-600x375.jpg 600w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/div>\n<h2>The fifth Caff\u00e8 con Venezia da Vivere presents Jim Jarmusch in his Venetian debut with the episodic film Father Mother Sister Brother starring Tom Waits, Adam Driver, and Cate Blanchett, and Olivier Assayas with Jude Law as Putin in Le mage du Kremlin. Out of competition, Pierfrancesco Favino plays a tennis coach, and Argentine documentarian Lucrecia Martel returns <\/h2>\n<p>The most anticipated film among those being presented today, the last day of August, in competition is <strong><em>Father Mother Sister Brother<\/em><\/strong> by <strong>Jim Jarmusch<\/strong>. The American director, known for works such as <em>Down by Law<\/em>, <em>Night on Earth<\/em>, and <em>Broken Flowers<\/em>, is in Venice for the first time. His film, as often occurs in his works, tells three stories set in different countries that address the theme of family in different ways through intimate portraits of relationships between parents and children or between siblings.  <\/p>\n<p>The first episode, <strong><em>Father<\/em><\/strong>, is set in the northeastern United States where siblings Jeff and Emily (<strong>Adam Driver<\/strong> and <strong>Mayim Bialik<\/strong>) visit their elderly father, played by <strong>Tom Waits<\/strong>.<\/p>\n<p><strong><em>Mother<\/em><\/strong>, the second chapter, is set in Dublin where a reserved writer (<strong>Charlotte Rampling<\/strong>) meets her daughters (<strong>Vicky Krieps<\/strong> and <strong>Cate Blanchett<\/strong>).<\/p>\n<p>The third, <strong><em>Sister Brother<\/em><\/strong>, starring <strong>Indya Moore<\/strong> and <strong>Luka Sabbat<\/strong>, takes us to Paris where a brother and sister return.<\/p>\n<p>&#8220;<em>Father Mother Sister Brother is a kind of anti-action film, whose discreet and calm style is carefully constructed to allow for the accumulation of small details, almost like flowers carefully arranged in three delicate compositions<\/em>,&#8221; the director states.<\/p>\n<p>There are numerous long-time collaborators, both among the technical crew and the cast, starting with Tom Waits and Adam Driver, as well as Cate Blanchett.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"2\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"2\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2022\/08\/Rossana-Viola_Red-Carpet-Marriage-Story-Adam-Driver.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Cate-Blanchett-ph.-Rossana-Viola-Mostra-del-Cinema-Venezia-2025.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>The second film in competition of the day is <strong><em>Le mage du Kremlin<\/em><\/strong> by <strong>Olivier Assayas<\/strong> starring <strong>Paul Dano<\/strong>, <strong>Alicia Vikander<\/strong>, <strong>Tom Sturridge<\/strong>, <strong>Will Keen<\/strong>, <strong>Jeffrey Wright<\/strong>, and <strong>Jude Law<\/strong>.<\/p>\n<p>The film, based on the novel of the same name by <strong>Giuliano da Empoli<\/strong>, tells the rise of young Vadim Baranov (<strong>Paul Dano<\/strong>) in the Soviet Union after the fall of the Berlin Wall. From the world of contemporary art, Baranov moves into reality show production and eventually becomes the campaign manager for a rising former KGB agent, Vladimir Putin (<strong>Jude Law<\/strong>). To build the new leader&#8217;s image and shape a new Russia, Baranov works between truth and lies, manipulating information according to his needs. One woman escapes his control: Ksenia (<strong>Alicia Vikander<\/strong>), a free spirit who embodies the possibility of escape, far from this dangerous game.   <\/p>\n<p>The director stated that he believes &#8220;<em>it is still worth exposing the internal mechanisms of lies and oppression<\/em>,&#8221; a reason that led him to adapt the novel by Italian writer Giuliano da Empoli for the big screen. This story &#8220;<em>is the testimony of an ongoing drama on the world stage, seen through a painfully human lens<\/em>.&#8221;<\/p>\n<h3>Cinema and tennis, in the year of the Italian victory at Wimbledon<\/h3>\n<p><strong>Out of competition<\/strong>, the fourth film directed by actor, screenwriter, and director <strong>Andrea Di Stefano<\/strong> titled <strong><em>Il Maestro<\/em><\/strong> will be presented, starring <strong>Pierfrancesco Favino<\/strong>, <strong>Tiziano Menichelli<\/strong>, <strong>Giovanni Ludeno<\/strong>, and <strong>Edwige Fenech<\/strong>.<\/p>\n<p>The film tells the story of a thirteen-year-old who, after years of hard training, partly to satisfy his father&#8217;s ambitions, reaches the opportunity to compete in national tennis tournaments. His father entrusts him to a coach (<strong>Favino<\/strong>) with whom the boy sets out on a journey. During this trip, a special relationship grows between student and master.  <\/p>\n<p><strong>Di Stefano<\/strong> states that the film &#8220;<em>is a tribute to imperfect, wounded, and big-hearted mentors. It is a journey through the pain of growing up, teaching, and human bonds<\/em>.&#8221;<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"4\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"4\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/08\/Venezia81-Mostra-del-cinema-2024-Rossana-Viola-Red-Carpet_Favino.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Emanuela-Fanelli-ph.-Rossana-Viola-Mostra-del-Cinema-Venezia-2025.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<h3>Lucrecia Martel returns out of competition<\/h3>\n<p>Former jury president in 2019, Argentine documentarian <strong>Lucrecia Martel<\/strong> returns out of competition with <strong><em>Nuestra Terra<\/em><\/strong>.<\/p>\n<p>The film recounts Argentina&#8217;s strategies to deny territory to the Chuschagasta community, an indigenous community of the Diaguita people in the north of the country, <strong>struggling for recognition of their rights to ancestral lands against expropriation by landowners and discrimination<\/strong>. Taking inspiration from the 2018 trial of the assassins who killed community leader Javier Chocobar in 2009, Martel reconstructs the entire journey of this community from the 17th century to the present day. <\/p>\n<h3>Today&#8217;s films in other sections<\/h3>\n<p>For the <strong>Orizzonti<\/strong> section, it is the turn of an Italian film: <strong><em>Un anno di scuola<\/em><\/strong> by <strong>Laura Samani<\/strong> starring <strong>Stella Wendick<\/strong>, <strong>Giacomo Covi<\/strong>, <strong>Pietro Giustolisi<\/strong>, and <strong>Samuel Volturno<\/strong>.   <\/p>\n<p>The film addresses the situation of a girl who, having moved to Trieste, finds herself the only female student in the entire class for her final year of high school. Also in the same section, <strong>Willem Dafoe<\/strong> stars in <strong><em>The Souffleur<\/em><\/strong> by <strong>Gast\u00f3n Solnicki<\/strong> as the manager of a historic hotel in Austria struggling to save it from demolition. <\/p>\n<p><strong>Out of competition<\/strong>, the screening of the TV series <strong><em>Un Prophete<\/em><\/strong> by <strong>Enrico Maria Artale<\/strong> concludes today, based on the 2009 film of the same name by <strong>Jacques Audiard<\/strong>, winner of the Grand Prix at the 62nd Cannes Film Festival, nine C\u00e9sar Awards including Best Film, and nominated for Best Foreign Language Film at the Academy Awards. <\/p>\n<p>The story follows a young man of Maghrebi origin, raised in a disadvantaged environment and sent to prison for attempted robbery. In prison, the boy changes his life and attracts the attention of a mafia boss. <\/p>\n<p>Today as well, the <strong>Venice Classics<\/strong> section offers three films: the restored version of <strong><em>3:10 to Yuma<\/em> <\/strong>from 1953 by <strong>Delmer Daves<\/strong> and that of <strong><em>Il magnifico cornuto<\/em><\/strong> from 1964 by <strong>Antonio Pietrangeli<\/strong>. The third film is the documentary <strong><em>Elvira Notari. Oltre il silenzio<\/em><\/strong> by <strong>Valerio Ciriaci<\/strong>. <\/p>\n<p>For <strong>Biennale College Cinema<\/strong>, the documentary <strong><em>Agnus Dei<\/em><\/strong> by <strong>Massimiliano Camaiti<\/strong> will be presented, featuring the Benedictine Nuns of the Monastery of Santa Cecilia in Trastevere.<\/p>\n<p>For <strong>Venice Spotlight<\/strong>, <strong><em>Made in EU<\/em><\/strong> by <strong>Stephan Komandarev<\/strong>, set during the Covid pandemic in Bulgaria, will be presented.<\/p>\n<p><strong>International Critics&#8217; Week<\/strong> presents the short film <em><strong>La moto <\/strong>(<strong>The Motorcycle<\/strong>)<\/em> by <strong>Matteo Giampetruzzi<\/strong>, which is also competing for the Queer Lion, and the film <strong><em>Gorgon\u00e0<\/em><\/strong> by <strong>Evi Kalogiropoulou<\/strong>.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"6\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"6\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/ph.settimo-cannatella-willem-dafoe-Venezia82-2025.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2025\/08\/Alicia-Silverstone-ph.settimo-cannatella-darsena-Mostra-Cinema-Venezia82-2025.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>To purchase film tickets: <a href=\"https:\/\/www.labiennale.org\/it\/cinema\/2025\" target=\"_blank\" rel=\"noopener nofollow\">labiennale.org<\/a><\/p>\n<p>Keep up with the festival with our Caff\u00e8 and all the updates in the podcast <em>Veneziacinema in pillole<\/em>, free on Spotify.<\/p>\n<p><em>Article by Pietro Gallina (<a href=\"https:\/\/www.veneziacinema.com\" target=\"_blank\" rel=\"noopener nofollow\">VeneziaCinema<\/a>) with Lucia Pecoraro.<br \/>\nPhotos by Rossana Viola and Settimo Cannatella (portrait of Willem Dafoe and Alicia Silverstone)<\/em><em>).<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] The fifth Caff\u00e8 con Venezia da Vivere presents Jim Jarmusch in his Venetian debut with the episodic film Father Mother Sister Brother starring Tom Waits, Adam Driver, and Cate Blanchett, and Olivier Assayas with Jude Law as Putin in Le mage du Kremlin. Out of competition, Pierfrancesco Favino plays a tennis coach, and [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":41259,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[84],"tags":[],"class_list":["post-43399","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news","entry"],"_links":{"self":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/comments?post=43399"}],"version-history":[{"count":1,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43399\/revisions"}],"predecessor-version":[{"id":43402,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43399\/revisions\/43402"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media\/41259"}],"wp:attachment":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media?parent=43399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/categories?post=43399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/tags?post=43399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}