{"id":43443,"date":"2024-11-12T18:42:01","date_gmt":"2024-11-12T17:42:01","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/all-the-exhibitions-to-see-in-venice-in-november\/"},"modified":"2026-03-25T12:35:54","modified_gmt":"2026-03-25T11:35:54","slug":"all-the-exhibitions-to-see-in-venice-in-november","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/all-the-exhibitions-to-see-in-venice-in-november\/","title":{"rendered":"All the exhibitions to see in Venice in November"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"figure\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-33705 size-full\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Arsenale_Photo-by-Andrea-Avezzu-Courtesy-La-Biennale-di-Venezia.jpg\" alt=\"\" width=\"1280\" height=\"800\" srcset=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Arsenale_Photo-by-Andrea-Avezzu-Courtesy-La-Biennale-di-Venezia.jpg 1280w, https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Arsenale_Photo-by-Andrea-Avezzu-Courtesy-La-Biennale-di-Venezia-600x375.jpg 600w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/div>\n<h2>Venice never sleeps: Biennale Arte events and November exhibitions<\/h2>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Janus<br \/>\nUntil Sunday, November 17<\/strong><br \/>\n<a href=\"https:\/\/berggruenarts.org\/en\/\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Diedo<\/a>, Fondamenta Trapolin 2386<\/li>\n<\/ul>\n<p>Last days to visit the exhibition at Palazzo Diedo for free, featuring works and installations by <strong>Urs Fischer, Piero Golia, Carsten H\u00f6ller, Ibrahim Mahama, Mariko Mori, Sterling Ruby, Jim Shaw, Hiroshi Sugimoto, Aya Takano, Lee Ufan<\/strong> and <strong>Liu Wei<\/strong>\u2014reflecting on dualities and multiple perspectives, in line with the theme of <em>Janus<\/em>, the two-faced Roman god.<\/p>\n<p>From November 24, Palazzo Diedo will close temporarily for restoration work, with reopening scheduled for spring 2025.<\/p>\n<ul>\n<li><strong>Scultura lingua morta<br \/>\n<\/strong>From November 15 until March 4, 2025<br \/>\nCa&#8217; Pesaro \u2013 International Gallery of Modern Art, Dom P\u00e9rignon Rooms, 2nd Floor<\/li>\n<\/ul>\n<p>Sculpture becomes language, history, and living matter in <strong>Giorgio Andreotta Cal\u00f2<\/strong>\u2019s exhibition at Ca\u2019 Pesaro. Inspired by the visions of <strong>Arturo Martini<\/strong>, who defined sculpture as devoid of universal life, Cal\u00f2 explores the potential of the medium through works recounting twenty years of artistic research and an indissoluble bond with Venice. <\/p>\n<p>From the <em>Clessidre<\/em> that freeze time to the monumental <em>Pinne Nobilis<\/em>, symbols of the marine world; from the <em>Carotaggi<\/em> that reveal the city&#8217;s stratification to the <em>Meduse<\/em> series\u2014enigmatic creatures that have always fascinated the artist\u2014an unpublished piece, now part of the Museum&#8217;s civic collection, is juxtaposed with Arturo Martini&#8217;s <em>Head of Medusa<\/em>, creating a bridge between two generations and between sculpture and myth.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"2\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"2\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Urs-Fischer-Omen-2024.-Hand-blown-mirrored-glass.-Each-droplet-approx-6-x-16.5-x-5.5-cm.-Photo-by-Massimo-Pistore.-Courtesy-of-Urs-Fischer-studio-and-Berggruen-Arts-Culture-_-Palazzo-Diedo.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Medusa-Giorgio-Andreotta-Calo.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<ul>\n<li><strong>Stranieri Ovunque \u2013 Foreigners Everywhere<br \/>\n<\/strong><a href=\"https:\/\/www.labiennale.org\/it\/arte\/2024\" target=\"_blank\" rel=\"noopener nofollow\">60th International Art Exhibition<\/a><br \/>\n<strong>Until November 24<br \/>\n<\/strong>Admission: fee applies<br \/>\n<a href=\"mailto:info@labiennale.org\" target=\"_blank\" rel=\"noopener\">info@labiennale.org<\/a><\/li>\n<\/ul>\n<p>With a theme spanning identity and migration, the 2024 Biennale, curated by <strong>Adriano Pedrosa<\/strong>, is a reflection on cultural diversity through exhibitions and interdisciplinary projects unfolding throughout Venice.<\/p>\n<p><strong>From November 18 to 24, <\/strong>the Arsenale becomes a stage for <a href=\"https:\/\/www.labiennale.org\/it\/news\/performance-all%E2%80%99arsenale-da-luned%C3%AC-18-domenica-24-novembre\" rel=\"nofollow noopener\" target=\"_blank\">experimental performances by eight international artists<\/a> who showcase the limits of traditional art around the themes of identity, migration, and collective consciousness. Here is the performance program. A Biennale admission ticket is required to participate.  <\/p>\n<ul>\n<li><strong>Isaac Chong Wai &#8211; <em>Falling Reversely<\/em><\/strong><br \/>\nDates: <strong>November 18, 19, 20, 21, 22, and 23<\/strong> at 11:30 AM and 3:30 PM (performances take place inside the Corderie dell\u2019Arsenale). Isaac Chong Wai explores movement as a response to structural violence, reinterpreting falls and turning them into gestures of solidarity. <\/li>\n<li><strong>Joshua Serafin &#8211; <em>PEARLS<\/em><\/strong><br \/>\nDates: <strong>November 19 and 20<\/strong> at 4:30 PM (performances take place inside the Tese dei Soppalchi). Serafin reflects on the wounds left by colonization, evoking divine bodies free from gender conventions, in collaboration with Filipino performers. <\/li>\n<li><strong>La Chola Poblete &#8211; <em>\u00bfC\u00f3mo se representa a un indio?<\/em><\/strong><br \/>\nDate: <strong>November 20<\/strong> at 12:30 PM (performances take place inside the Corderie). Through rituals, songs, and symbolic gestures, Poblete and Bhajan challenge Western stereotypes of indigenous identity, inviting reflection on cultural perception. <\/li>\n<li><strong>Gabrielle Goliath &#8211; <em>Elegy (2015-)<\/em><\/strong><br \/>\nDates: <strong>November 21 and 22<\/strong> at 2:00 PM (performances take place inside the Sale d\u2019Armi E). Through an operatic singing performance, Goliath evokes the memory of the victims of the Ovaherero and Nama genocide, in an expression of collective mourning and historical memory. <\/li>\n<li><strong>WangShui &amp; Alberto Bustamante &#8211; <em>La Culebra<\/em><\/strong><br \/>\nDates: <strong>November 21 and 22<\/strong> at 4:30 PM (performances take place inside the Artiglierie). In a techno-opera weaving myth and music, La Bruja de Texcoco embodies the figure of the serpent, a symbol of knowledge and love, creating a connection between tradition and contemporary sounds. <\/li>\n<li><strong>Puppies Puppies (Jade Guanaro Kuriki-Olivo) &#8211; <em>My heart is beating as I lip sync to this song<\/em><\/strong><br \/>\nDates: <strong>November 23 and 24<\/strong> at 11:30 AM (performances take place inside the Corderie). The performer wears a neon sculpture, honoring the victims of the Pulse in Orlando in a moment of collective remembrance and celebration. <\/li>\n<li><strong>Antonio Guzman &amp; Iva Jankovic &#8211; <em>Messengers of the Sun<\/em><\/strong><br \/>\nDates: <strong>November 23 and 24<\/strong> at 12:30 PM (performances take place inside the Corderie). An Afro-futurist performance combining diasporic sounds and dance, reflecting on the links between migration and cultural identity. <\/li>\n<li><strong>Ahmed Umar &#8211; <em>Talitin (The Third)<\/em><\/strong><br \/>\nDates: <strong>November 23 and 24<\/strong> at 4:30 PM (performances take place inside the Sale d\u2019Armi E). Umar presents a Sudanese wedding dance in a queer key, breaking conventions and claiming a new form of expression. <\/li>\n<\/ul>\n<div class=\"rgg-container\" data-rgg-id=\"4\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"4\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/performance-di-Ahmed-Umar-Talitin-ph.-Andrea-Avezzu.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Lydia-Ourahmane-Daniel-Blumberg-sync-ph.-Andrea-Avezzu.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Barbara-Sanchez-Kane_ph.-Marco-Zorzanello.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Antonio-Guzman-Iva-Jankovic-ph.-Andrea-Avezzu.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>B A R E N E<\/strong><br \/>\n<a href=\"https:\/\/vretreats.com\/ca-di-dio\/\" target=\"_blank\" rel=\"noopener nofollow\">Hotel Ca\u2019 di Dio<\/a>, Riva Ca&#8217; di Dio 2183<br \/>\n<strong>Until December 3<\/strong><\/li>\n<\/ul>\n<p><strong>Maria Luisa Lasala<\/strong><strong> <\/strong>presents an exhibition of precious works expressing the deep love Venetians have for the lagoon. Large paintings by Venetian painter <strong>Gino Baffo<\/strong>, born from the mud and flowers of the salt marshes of the Venice lagoon, engage in dialogue with copper and silver-printed photographs by <strong>Andrea Pancino<\/strong>. Icy dawns and silent mists, lights from distant islands and the <strong>limonium<\/strong> that colors the salt marsh, the <strong>caranto<\/strong>\u2014the living mud that sustains the lagoon ecosystem\u2014to create paintings that dry in the cold, and <strong>pure gold<\/strong> to recount affections. Baffo the painter, Pancino the photographer, and Lasala the curator have created an intense narrative of a place vital to the city and its inhabitants, which moves and binds together those who wish to live in and defend this millennial city.   <\/p>\n<p>Young composer and musician <strong>Riccardo Boato<\/strong> has created the soundtrack for the video documenting the creation of the works in the lagoon, which will be screened on <strong>Saturday, November 30<\/strong>, for <strong>Blue Friday 2024<\/strong> organized by UNESCO-IOC.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"6\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"6\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/gino-baffo-barene.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/andrea-pancino-barene.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Barene-1.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<ul>\n<li><strong>The Image of the City, an exhibition by Jacopo Ascari<\/strong><br \/>\nPalazzo Venart, Calle Tron 1961<br \/>\n<strong>Until November 30<br \/>\n<\/strong>Admission: free by reservation<br \/>\n<a href=\"mailto:info.venart@ldchotels.com\" target=\"_blank\" rel=\"noopener\">info.venart@ldchotels.com<\/a> | Tel: +39 041 523 3784<\/li>\n<\/ul>\n<p>Designer and illustrator <strong>Jacopo Ascari<\/strong> reinterprets the architectural and urban essence of the city through Venetian art and craftsmanship. Framed by <strong>Lunardelli Venezia<\/strong> and enriched by mosaics from <strong>Orsoni Venezia 1888<\/strong>, the works celebrate Italy&#8217;s most important cities\u2014Milan, Rome, Florence, and Venice. <\/p>\n<ul>\n<li><strong>Convivio<\/strong><br \/>\nLunardelli Venezia, Calle Seconda del Cristo 2210A<br \/>\n<strong>Until November 30<\/strong><br \/>\nFree admission<\/li>\n<\/ul>\n<p>Objects and installations explore the dialogue between wood, glass, fashion, and contemporary design, highlighting Venetian craftsmanship.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"8\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"8\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Convivio-Lunardelli-Venezia-VFW24-ph.-Settimo-Cannatella.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/10\/261024-ascari-ward-16-e1731336675231.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Roberto Matta 1911 &#8211; 2002<\/strong><br \/>\n<a href=\"https:\/\/capesaro.visitmuve.it\" target=\"_blank\" rel=\"noopener nofollow\">Ca\u2019 Pesaro \u2013 International Gallery of Modern Art<\/a>, Santa Croce 2076<br \/>\n<strong>Until March 23, 2025<br \/>\n<\/strong>Admission: fee applies<br \/>\n<a href=\"mailto:info@capesaro.visitmuve.it\" target=\"_blank\" rel=\"noopener\">info@capesaro.visitmuve.it<\/a><\/li>\n<\/ul>\n<p>The first institutional exhibition in Italy dedicated to the Chilean artist, a key figure of Surrealism, in a journey tracing his complex and visionary imagery through monumental paintings, totemic sculptures, and architectural projects. Between references to Le Corbusier, science fiction influences, and tributes to pre-Columbian cultures, Matta emerges as an innovator, from Street Art to ecological sensitivity. <\/p>\n<ul>\n<li><strong>Alessandro Cardinale. N\u00fcshu &#8211; Writing the Void<\/strong><br \/>\n<a href=\"https:\/\/orientalevenezia.beniculturali.it\" target=\"_blank\" rel=\"noopener nofollow\">Museum of Oriental Art<\/a> &#8211; Ca&#8217; Pesaro, Santa Croce 2076<br \/>\n<strong>Until January 12, 2025<br \/>\n<\/strong>Admission: fee applies<br \/>\n<a href=\"mailto:info@orientalevenezia.org\" target=\"_blank\" rel=\"noopener\">info@orientalevenezia.org<\/a><\/li>\n<\/ul>\n<p><strong>Alessandro Cardinale<\/strong> and the ancient <em>N\u00fcshu<\/em> writing system, traditionally used by Chinese women to communicate in secret. Curated by <strong>Anna Lisa Ghirardi<\/strong> and <strong>Marta Boscolo Marchi<\/strong>, the works evoke landscapes and faces that emerge and vanish depending on the visitor&#8217;s gaze, much like the words that women, restricted by society, used to share intimate experiences. <\/p>\n<ul>\n<li><strong>Federica Marangoni. ON THE ROAD 1970-2024. Not only glass<\/strong><br \/>\n<a href=\"https:\/\/museovetro.visitmuve.it\" target=\"_blank\" rel=\"noopener nofollow\">Murano Glass Museum<\/a><br \/>\n<strong>Until November 24<br \/>\n<\/strong>Admission: fee applies<br \/>\n<a href=\"mailto:info@museovetro.visitmuve.it\" target=\"_blank\" rel=\"noopener\">info@museovetro.visitmuve.it<\/a><\/li>\n<\/ul>\n<p>The exhibition traces the artistic journey of <strong>Federica Marangoni<\/strong> between glass and multimedia. The works explore the fusion of materials and technology, embodying the innovative spirit of Murano: from the mirrored floor of <em>La Bricola<\/em> to the 1980s, or in the Room of Lightness, pieces evoking memories and dreams find their place, such as the imposing work <em>Il volo impossibile<\/em>. <\/p>\n<p>&nbsp;<\/p>\n<p><strong>Capsule Venice<\/strong> is the Venetian branch of the contemporary art gallery Capsule Shanghai. It is located on the premises of the Giorgio and Armanda Marchesani Foundation in Dorsoduro, featuring a magical garden that often hosts conversations and moments of cultural exchange. The gallery presents exhibitions by international and emerging artists.  <\/p>\n<ul>\n<li><strong>Until December 15<br \/>\n<\/strong>Admission: free<br \/>\n<a href=\"mailto:info@capsulevenice.com\" target=\"_blank\" rel=\"noopener\">info@capsulevenice.com<\/a><br \/>\n<a href=\"https:\/\/www.capsulevenice.com\/\" rel=\"nofollow noopener\" target=\"_blank\">capsulevenice.com<\/a><\/li>\n<\/ul>\n<p><strong><em>By devouring it, I learn about the world<\/em><\/strong> by <strong>Liao Wen<br \/>\n<\/strong>The first European solo exhibition of the Chinese artist, featuring new works that explore perception and interaction with the surrounding environment. Liao Wen investigates the relationship between cultural identity and globalization, blending traditional materials with innovative techniques. <\/p>\n<p><strong><em>Vista<\/em><\/strong> by <strong>Mevlana Lipp<br \/>\n<\/strong>The German artist presents a special project inspired by his recent visit to Venice, investigating the hybridization of the natural and artificial through painting and sculpture.<\/p>\n<p><strong><em>Real Time<\/em><\/strong> by <strong>Alessio de Girolamo<br \/>\n<\/strong>Immersive works on temporalities and perception, using innovative materials and techniques.<\/p>\n<p><strong><em>A Breadcrumb Trail<\/em><\/strong> by <strong>Luca Campestri<br \/>\n<\/strong>Narrative fragments of a nocturnal landscape inhabited by affective presences.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"10\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"10\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Federica-Marangoni-Courtesy-Fondazione-Musei-Civici-di-Venezia.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Cen-Long-Seminare-Speranza.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<ul>\n<li><strong>Alchemical Relations. Art and business travel together<\/strong><br \/>\nPalazzetto Tito &#8211; <a href=\"https:\/\/www.bevilacqualamasa.it\/\" target=\"_blank\" rel=\"noopener nofollow\">Bevilacqua La Masa Foundation<\/a><br \/>\n<strong>Until November 24<\/strong><br \/>\nAdmission: free<br \/>\n<a href=\"mailto:info@bevilacqualamasa.it\" target=\"_blank\" rel=\"noopener\">info@bevilacqualamasa.it<\/a><\/li>\n<\/ul>\n<p>The Bevilacqua La Masa Foundation and Confindustria Veneto investigate the meeting points and creative interaction between art and business. Sculptures, installations, and projects recount how art dialogues with industrial production in a weave that gives life to new forms of expression. <\/p>\n<ul>\n<li><strong>Angelo Accardi. Icarus&#8217; Dream<br \/>\n<\/strong><a href=\"https:\/\/www.artpalazzodona.it\/\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Don\u00e0 dalle Rose<\/a>, Fondamenta Nove 5038<br \/>\n<strong>Until November 24<br \/>\n<\/strong>Admission: fee applies<br \/>\n<a href=\"mailto:info@artpalazzodona.it\" target=\"_blank\" rel=\"noopener\">info@artpalazzodona.it<\/a> | Tel: +39 041 721 898<\/li>\n<\/ul>\n<p>The dreamlike visions of <strong>Angelo Accardi<\/strong> occupy the rooms of Palazzo Don\u00e0 dalle Rose, challenging reality with images suspended between dream and myth in a world populated by enigmatic figures, where the boundary between the everyday and the unconscious dissolves into surreal atmospheres.<\/p>\n<ul>\n<li><strong>Erwin Wurm. Deep<\/strong><br \/>\n<a href=\"https:\/\/bibliotecanazionalemarciana.cultura.gov.it\" target=\"_blank\" rel=\"noopener nofollow\">Marciana National Library<\/a><br \/>\n<strong>Until November 24<br \/>\n<\/strong>Admission: access to the exhibition is via the Museo Correr, Piazza San Marco 52, and with the purchase of a <a href=\"https:\/\/correr.visitmuve.it\/it\/pianifica-la-tua-visita\/biglietti\/\" target=\"_blank\" rel=\"noopener nofollow\">ticket<\/a><br \/>\n<a href=\"mailto:info@marciana.venezia.sbn.it\" target=\"_blank\" rel=\"noopener\">info@marciana.venezia.sbn.it<\/a><\/li>\n<\/ul>\n<p>Artist Erwin Wurm transforms the Marciana National Library into a space for reflection and experimentation, inviting a rethink of the concept of sculpture. His installations play with space and proportions, destabilizing the viewer&#8217;s perception and proposing an alternative vision of common objects. <\/p>\n<div class=\"rgg-container\" data-rgg-id=\"12\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"12\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Angelo-Accardi-All-the-family.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2024\/11\/Opening-Erwin-Wurm-Venezia.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<ul>\n<li><strong>Cen Long. Sowing Hope<\/strong><br \/>\n<a href=\"https:\/\/www.querinistampalia.org\/\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Querini<\/a>, Calle Lunga San Barnaba 2691<br \/>\n<strong>Until November 24<\/strong><br \/>\nAdmission: fee applies<br \/>\n<a href=\"mailto:info@querinistampalia.org\" target=\"_blank\" rel=\"noopener\">info@querinistampalia.org<\/a><\/li>\n<\/ul>\n<p>A journey into the themes of rebirth and resilience: the works of <strong>Cen Long<\/strong> explore the symbols of rebirth and resilience in a path that invites reflection on the profound meaning of hope and its symbols. His canvases, characterized by rigorous composition and layered coloring, portray individuals firmly facing life&#8217;s adversities, highlighting human virtues such as kindness, love, and courage. <\/p>\n<ul>\n<li><strong>Luc\u00eda Vallejo Garay. Baroque Symphony<\/strong><br \/>\n<a href=\"https:\/\/www.conservatoriovenezia.net\/\" target=\"_blank\" rel=\"noopener nofollow\">Benedetto Marcello Conservatory<\/a><br \/>\n<strong>Until November 23<\/strong><br \/>\nAdmission: fee applies<br \/>\n<a href=\"mailto:info@conservatoriovenezia.net\" target=\"_blank\" rel=\"noopener\">info@conservatoriovenezia.net<\/a><\/li>\n<\/ul>\n<p>Bilbao-based artist <strong>Luc\u00eda Vallejo Garay<\/strong> fuses African culture with Baroque stylistic elements in a synesthesia that captures the visitor with a multi-sensory dialogue between sculpture, glass, and scents. Murano glass and fabric vases, fabric and gold sculptures, and the scent room blend with the sounds of the Conservatory students. <\/p>\n<ul>\n<li><strong>Le Grand Bleu<br \/>\nUntil February 23, 2025<br \/>\n<\/strong>Visiting hours are Monday to Saturday, from 10:00 AM to 6:00 PM, closed on Sundays and on December 24, 25, 26, and 31, as well as January 1<br \/>\n<a href=\"https:\/\/fondationvalmont.com\" target=\"_blank\" rel=\"noopener nofollow\">Valmont Foundation<\/a> <span style=\"font-size: 16px;\"><span style=\"font-size: 16px;\">&#8211; Palazzo Bonvicini, Santa Croce, <span style=\"font-size: 16px;\">Calle de l\u2019Agnella 2161\/A<\/span><\/span><\/span><\/li>\n<\/ul>\n<p>A journey into marine shades with <strong><em>Blue Odyssey<\/em><\/strong>, the limited edition of Murano glass works created by artist <strong>Aristide Najean<\/strong> together with <strong>Didier Guillon<\/strong> for the Valmont Foundation. A collection exploring the blue of the sea and its forms through vases with rich, deep curves, inspired by the power and mystery of water. <\/p>\n<p>An integral part of the exhibition <strong><em>Ulysses. We Are All Heroes<\/em><\/strong>\u2014a group show with <strong>Gayle Chong Kwan, Stephanie Blake, ISAO<\/strong> and <strong>Didier Guillon<\/strong> open to the public <strong>until February 23, 2025<\/strong>\u2014the project also launches a limited version of the fragrance <strong><em>Storie Veneziane Blu Cobalto I<\/em><\/strong>, available only in <a href=\"https:\/\/www.lamaisonvalmont.com\/it\/\" target=\"_blank\" rel=\"noopener nofollow\"><strong>La Maison Valmont<\/strong><\/a> boutiques.<\/p>\n<div class=\"video\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VyL2QQr8_O4?si=HmJ3t7YHO2KBGujT\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/div>\n<p><em>Cover photo: Arsenale by Andrea Avezz\u00f9 &#8211; Courtesy La Biennale di Venezia.<br \/>\nMedusa by Giorgio Andreotta Cal\u00f2. Urs Fischer, Omen, 2024 Photo by Massimo Pistore. Courtesy of Urs Fischer studio and Berggruen Arts &amp; Culture, Palazzo Diedo.<\/em><em><br \/>\nPerformances by: Ahmed Umar &#8211; Talitin, Lydia Ourahmane &#8211; Daniel Blumberg, Antonio Guzman &amp; Iva Jankovic ph. Andrea Avezz\u00f9 and B\u00e1rbara S\u00e1nchez-Kane ph. Marco Zorzanello &#8211; Courtesy La Biennale di Venezia.<br \/>\nAll other images courtesy of the respective press office.<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] Venice never sleeps: Biennale Arte events and November exhibitions &nbsp; Janus Until Sunday, November 17 Palazzo Diedo, Fondamenta Trapolin 2386 Last days to visit the exhibition at Palazzo Diedo for free, featuring works and installations by Urs Fischer, Piero Golia, Carsten H\u00f6ller, Ibrahim Mahama, Mariko Mori, Sterling Ruby, Jim Shaw, Hiroshi Sugimoto, Aya [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":40509,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[84,146,147],"tags":[],"class_list":["post-43443","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news","category-biennale","category-culture","entry"],"_links":{"self":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/comments?post=43443"}],"version-history":[{"count":1,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43443\/revisions"}],"predecessor-version":[{"id":43446,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43443\/revisions\/43446"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media\/40509"}],"wp:attachment":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media?parent=43443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/categories?post=43443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/tags?post=43443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}