{"id":43874,"date":"2019-11-08T10:26:41","date_gmt":"2019-11-08T09:26:41","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/eugenia-rico-presents-la-morte-bianca-at-ca-sagredo\/"},"modified":"2026-03-25T14:35:38","modified_gmt":"2026-03-25T13:35:38","slug":"eugenia-rico-presents-la-morte-bianca-at-ca-sagredo","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/eugenia-rico-presents-la-morte-bianca-at-ca-sagredo\/","title":{"rendered":"Eugenia Rico Presents La Morte Bianca at Ca’ Sagredo"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]\"Ca'<\/p>\n

Tuesday, November 12 at 6:00 PM at Ca’ Sagredo, Eugenia Rico presents the novel La morte bianca. Writing is the only time machine that works. <\/h2>\n

La morte bianca<\/strong> is the novel that established Eugenia Rico<\/strong> as one of Spain’s leading writers, earning her the Azor\u00edn Prize and acclaim from El Pa\u00eds<\/strong>. Following the novels Gli amanti<\/em> (2017) and Il sentiero del diavolo<\/em> (2018), the Asturian author presents her third novel translated into Italian at the monumental Ca’ Sagredo hotel. Speakers include Adri\u00e1n J. S\u00e1ez<\/strong>, Ca’ Foscari University of Venice, and Laura Scarpa<\/strong>, Venezia da Vivere. <\/p>\n

When her brother dies at sixteen, the protagonist must adapt to a completely new reality and prove to herself that life can still go on. In her search for meaning, pervaded by a miraculous lightness, she discovers that literature is the only truly functioning time machine. And thus the work appears, La morte bianca, a novel of autofiction about love and death. <\/p>\n

“The words to say goodbye. How to tell (and overcome, if possible) the death of a brother? Eugenia Rico, with clear prose and without rhetoric, succeeds.” “El Pa\u00eds compares the Asturian writer to Nobel Prize winners Octavio Paz and Elias Canetti for the essentiality of her writing, an ethical practice in the choice of words. Only those that are necessary.”<\/em> Gianrico Carofiglio<\/strong>, laRepubblica Robinson<\/p>\n

“With an absolutely modern language, free of artifice, the author achieves the intensity and depth of the greatest Greek tragedies that have marked literature throughout time. Eugenia Rico manages to offer us one of the most vivid, profound, and redemptive representations of grief I have ever read”<\/em> Gioconda Belli<\/strong><\/p>\n

\n \n \"\" <\/a>\n \n \"Ian <\/a>\n <\/div>\n<\/div>\n

Defined by Luis Sep\u00falveda<\/strong> as one of the most original voices in Spanish fiction, Eugenia Rico is one of the most innovative writers in Spanish of recent decades. Born in Oviedo, Asturias, she holds a law degree, is a journalist, and author of, among others, Aunque seamos malditas<\/em>, the essay En el pa\u00eds de las vacas sin ojos<\/em> (Spirituality Prize 2005), El oto\u00f1o alem\u00e1n<\/em> (Ateneo de Sevilla Novel Prize 2006). She lives and works in Venice, where in 2018 Incroci di Civilt\u00e0<\/strong> awarded her the Bauer International Literary Prize alongside Ian McEwan<\/strong>. <\/p>\n

 <\/p>\n

Tuesday, November 12 at 6:00 PM<\/strong>
\nEugenia Rico presents the novel<\/strong>
\nLa morte bianca<\/strong><\/p>\n

Ca’ Sagredo Hotel
\nCampo Santa Sofia, 4198\/99<\/p>\n

 <\/p>\n

[\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text] Tuesday, November 12 at 6:00 PM at Ca’ Sagredo, Eugenia Rico presents the novel La morte bianca. Writing is the only time machine that works. La morte bianca is the novel that established Eugenia Rico as one of Spain’s leading writers, earning her the Azor\u00edn Prize and acclaim from El Pa\u00eds. Following the novels […]<\/p>\n","protected":false},"author":3,"featured_media":14474,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[84,147],"tags":[],"class_list":["post-43874","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news","category-culture","entry"],"_links":{"self":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43874","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/comments?post=43874"}],"version-history":[{"count":1,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43874\/revisions"}],"predecessor-version":[{"id":43881,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43874\/revisions\/43881"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media\/14474"}],"wp:attachment":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media?parent=43874"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/categories?post=43874"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/tags?post=43874"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}