{"id":43932,"date":"2020-08-20T18:51:19","date_gmt":"2020-08-20T16:51:19","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/outdoor-cinema-in-venice-from-the-biennale-gardens-to-campo-san-polo-all-the-films\/"},"modified":"2026-03-25T14:37:01","modified_gmt":"2026-03-25T13:37:01","slug":"outdoor-cinema-in-venice-from-the-biennale-gardens-to-campo-san-polo-all-the-films","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/outdoor-cinema-in-venice-from-the-biennale-gardens-to-campo-san-polo-all-the-films\/","title":{"rendered":"Outdoor cinema in Venice, from the Biennale Gardens to Campo San Polo, all the films"},"content":{"rendered":"
\"\"<\/div>\n

Outdoor cinema in Venice, awaiting the Film Festival: the Classics outside the Festival at the Biennale Gardens and Cinemoving in Campo San Polo. Sunday, August 23, the Venetian film on Tintoretto <\/h2>\n

Outdoor cinema is in Venice until August 30 thanks to the Biennale for Classics Outside the Festival<\/strong> at the Gardens, and to Cinemoving<\/strong> by the Culture Sector of the City of Venice, in Campo San Polo. Sunday 23rd, the film on Tintoretto produced by Kublai Film<\/strong>. <\/p>\n

While waiting for the arrival of cinema in Venice with the 77th Venice International Film Festival from September 2 to 12, 2020<\/strong>, there are two opportunities to watch films outdoors in company, until August 30:<\/p>\n

In Venice, cinema is auteur-driven with Classics Outside the Festival<\/strong>, the first edition dedicated to films that have marked the history of cinema, restored and in their original language with Italian subtitles. Screenings take place in the green arena between the pavilions at the Biennale Gardens<\/strong>, and the cost of a single ticket is \u20ac8, or \u20ac2.50 for students. In the same location, we will see some of the films from the Film Festival in September. <\/p>\n

Cinemoving<\/strong> is the outdoor cinema festival that brings films to every neighborhood, district, and island of the Venetian territory. From silver screen classics to the hits of recent years, from thrillers to animated films, once again Campo San Polo returns to be one of the venues of the Venetian summer<\/strong> made of culture, art, and conviviality. <\/p>\n

Admission is free of charge, with reservation. <\/strong>Sunday, August 23<\/strong> in Campo San Polo, the film Tintoretto: The Artist Who Killed Painting<\/strong>, produced in Venice by Kublai Film, tells of Tintoretto’s modernity with a <\/span>contemporary language, to immerse the viewer in the social and artistic context of 16th-century Venice.<\/span><\/p>\n

\n \n \"\" <\/a>\n \n \"\" <\/a>\n <\/div>\n<\/div>\n

 <\/p>\n

Cinemoving<\/a> PROGRAM<\/h3>\n

Campo San Polo, 9:15 PM<\/p>\n

Thursday, August 20 <\/strong>
\nPlease Stand By<\/strong>
\n(USA, 2017, 93\u2019) comedy-drama film, by Ben Lewin
\nWendy is autistic and resides in a specialized facility where she dedicates herself to her greatest passion: Star Trek. When Paramount announces a competition for new screenwriters, the girl commits to traveling miles and miles to submit her screenplay and realize her dream. <\/p>\n

Friday, August 21 <\/strong>
\nThe Martian<\/strong>
\n(USA, 2015, 144\u2019) sci-fi film, by Ridley Scott
\nDuring a mission to Mars, astronaut Mark Watney is presumed dead and abandoned by his crew. But Watney has survived and now finds himself alone on the hostile planet. With meager supplies, Watney must draw upon his ingenuity, wit, and spirit of survival to find a way to signal to Earth that he is alive. <\/p>\n

Saturday, August 22<\/strong>
\nInside Out<\/strong>
\n(USA, 2015, 94\u2019) animated film, by Ronnie Del Carmen, Pete Docter
\nGrowing up can be a bumpy road, and it’s no different for Riley, who moves from the Midwest to live in San Francisco. Meanwhile, the control center is in turmoil. Joy, Riley’s main emotion, tries to see the positive side of things, but the other emotions do not agree. <\/p>\n

Sunday, August 23<\/strong>
\nTintoretto: The Artist Who Killed Painting <\/strong>
\n(Italy, Germany, 85\u2019) documentary film, Directed by Erminio Perocco, music by Theo Teardo
\nTintoretto, the great painter of the Italian Renaissance, was capable of astonishing his <\/span>patrons with surprising inventions, also thanks to the speed with which he executed his works. The technical innovations of his painting have exerted a profound and constant influence on art history. According to Cezanne: \u201cHis work is immense, it includes everything from still life to God; it is a huge Noah’s ark; I would have moved to Venice only for him<\/em>\u201d. <\/p>\n

Monday, August 24 <\/strong>
\nThelma, Louise et Chantal<\/strong>
\n(France, 2010, 90\u2019) comedy film, by Beno\u00eet P\u00e9tr\u00e9
\nLeaving behind a less than exciting reality. This is what Nelly, Chantal, and Gabrielle do, three French fifty-somethings disappointed at various levels by life: they set off to attend the wedding of a man who had made them dream, Philippe. <\/p>\n

Tuesday, August 25<\/strong>
\nRara<\/strong>
\n(Chile, Argentina, 2016, 90\u2019) comedy-drama film, by Pepa San Martin
\nSara lives with her mother, her sister, and her mother’s wife. Her life is happy and her daily routine carefree, but adolescence is approaching her existence and the first comparisons with the opposite sex raise a series of problems. <\/p>\n

Wednesday, August 26 <\/strong>
\nIf Life Gives You Lemons<\/strong>
\n(Italy, 2018, 88\u2019) drama film, by Ciro D\u2019Emilio
\nAntonio is seventeen years old and has a dream: to be a footballer in a major team. He lives in a small town in a province of Campania and loves his sweet but deeply troubled mother more than anything. <\/p>\n

Thursday, August 27 <\/strong>
\n10 Items or Less<\/strong>
\n(USA, 2006, 82\u2019) drama film, by Brad Silberling
\nA fading actor, undecided whether to accept a role in a low-budget film set in a supermarket, conducts a site visit to observe the behavior of staff and shoppers. Struck by the determined character of Scarlet, a Latina cashier who occupies and “guards” the “express lane” (maximum ten items), the actor is determined to make her a “protagonist.” Makeup, costume, posture, and acting are some of the things she will learn to overcome a job interview and the fear of not being up to life’s challenges. <\/p>\n

Friday, August 28 <\/strong>
\nThe Bookshop<\/strong>
\n(Spain, UK, 2017, 108\u2019) drama film, by Isabel Coixet
\nFlorence Green, a free-spirited widow, risks everything to open a bookstore \u2013 the first in the sleepy coastal town of Hardborough in 1959 England. Struggling against dampness, cold, and the apathy of the locals, she finds it hard to establish herself, but things will soon take a turn for the better. <\/p>\n

Saturday, August 29<\/strong>
\nThe Man Who Knew Too Much<\/strong>
\n(USA, 1956, 119\u2019) spy film, by Alfred Hitchcock
\nOn vacation in Morocco, the McKennas witness a murder: a tourist is killed and Ben McKenna, who is a doctor, attempts to help him. Before dying, the man confides in him that an assassination will soon be committed in London. The man goes to the police, but to prevent him from speaking, someone kidnaps his son… <\/p>\n

Sunday, August 30<\/strong>
\nThe Other Side of Hope<\/strong>
\n(Finland, 2017, 98\u2019) drama film, by Aki Kaurism\u00e4ki
\nKhaled is a Syrian refugee who has reached Helsinki where he has submitted an asylum application that does not have much prospect of being granted. Wilkstr\u00f6m is a traveling salesman who sells men’s ties and shirts and who decides to leave his wife, winning at gambling, to take over a restaurant in the suburbs. The two will meet and help each other. <\/p>\n

Classics Outside the Festival<\/a> PROGRAM<\/h3>\n

Biennale Gardens, 9:00 PM<\/p>\n

Friday, August 21
\nDANS LA VILLE BLANCHE (In the White City)<\/b> by Alain Tanner <\/b>with Bruno Ganz, Teresa Madruga, Julia Vonderlinn, Jos\u00e9 Carvhalo; Switzerland\/Portugal, 1982, 107\u2019.<\/p>\n

Saturday, August 22<\/b>
\nDETOUR<\/b> by Edgar G. Ulmer <\/b>with Tom Neal, Ann Savage, Claudia Drake, Edmund MacDonald; USA, 1945, 67\u2019.<\/p>\n

Friday, August 29<\/b>
\nTHE CONJUGAL BED \/ UNA STORIA MODERNA<\/b> by Marco Ferreri <\/b>with Ugo Tognazzi, Marina Vlady, Walter Giller, Linda Sini, Riccardo Fellini; Italy\/France, 1963, 93\u2019.<\/p>\n

Saturday, August 30<\/b>
\nTONI <\/b>by Jean Renoir <\/b>with Charles Blavette, Jenny H\u00e9lia, C\u00e9lia Montalvan, Edouard Delmont; France, 1935, 84\u2019.<\/p>\n

\"Tintoretto\"<\/div>\n

 <\/p>\n

Cinemoving<\/a>:<\/strong> admission is free of charge for every evening. HOW TO DO IT: subscribe to the WhatsApp group to receive the updated program and for any changes to the calendar:
\n1) Save the number 342 7611875 in your contacts
\n2) Send a WhatsApp message with: FIRST NAME + LAST NAME followed by CINEMOVING <\/p>\n

Classics Outside the Festival<\/a>: <\/strong>the cost of a single ticket is \u20ac8, while for students it is \u20ac2.50.
\nThe subscription for the 12 evenings is \u20ac60 full price and \u20ac20 for students.
\nInfo: Tel. 041 5218828, email: promozione@labiennale.org<\/a><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Outdoor cinema in Venice, awaiting the Film Festival: the Classics outside the Festival at the Biennale Gardens and Cinemoving in Campo San Polo. Sunday, August 23, the Venetian film on Tintoretto Outdoor cinema is in Venice until August 30 thanks to the Biennale for Classics Outside the Festival at the Gardens, and to Cinemoving by […]<\/p>\n","protected":false},"author":14,"featured_media":20902,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[146],"tags":[],"class_list":["post-43932","post","type-post","status-publish","format-standard","has-post-thumbnail","category-biennale","entry"],"_links":{"self":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43932","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/comments?post=43932"}],"version-history":[{"count":0,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/43932\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media\/20902"}],"wp:attachment":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media?parent=43932"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/categories?post=43932"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/tags?post=43932"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}