{"id":44236,"date":"2019-11-20T17:40:13","date_gmt":"2019-11-20T16:40:13","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/november-of-water-lets-start-again-with-events\/"},"modified":"2026-04-02T15:28:14","modified_gmt":"2026-04-02T13:28:14","slug":"november-of-water-lets-start-again-with-events","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/november-of-water-lets-start-again-with-events\/","title":{"rendered":"November of water. Let’s start again with events"},"content":{"rendered":"

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Many events close the month of November in Venice: free admissions, <\/strong>finissages and openings,<\/strong> Biennale, Peggy Guggenheim Collection, Palazzo Grassi, and the Feast of the Madonna della Salute<\/strong><\/h2>\n

Free entry to the Biennale for Venetians<\/strong>: Thursday 21 and Friday 22 November<\/strong>, coinciding with the Feast of the Madonna della Salute, La Biennale di Venezia offers free admission to residents of the Municipality of Venice to the 58th International Art Exhibition<\/strong> May You Live in Interesting Times.<\/p>\n

To access the Exhibition, it is necessary to present a valid identity document certifying residency (no Imob) at the Giardini or Arsenale ticket offices. Information<\/a><\/p>\n

\n \n \"Martina <\/a>\n \n \"Feast-of-the-Madonna-della-Salute\" <\/a>\n \n \"Dress <\/a>\n <\/div>\n<\/div>\n

Venetians’ Week at the Peggy Guggenheim Collection until November 21<\/h3>\n

On the occasion of the Feast of the Madonna della Salute<\/strong>, admission to the Peggy Guggenheim Collection<\/strong> is free<\/strong> for residents of the municipalities of Venice, upon presentation of an identity document or the Venezia Unica card. Information<\/a><\/p>\n

\n \n \"Peggy-Guggenheim-Collection\" <\/a>\n \n \"Peggy <\/a>\n \n \"Peggy <\/a>\n <\/div>\n<\/div>\n


\n<\/strong>Spreading CreActivity: Finissage and round table for the exhibition Rothko in Lampedusa<\/h3>\n

Friday, November 22 from 6:00 PM<\/strong>
\nUgo and Olga Levi Foundation, Palazzo Giustinian Lolin, San Marco 2893<\/b><\/p>\n

A dress made from a UNHCR tent<\/strong><\/a> once sheltered a refugee family in the Za\u2019atari camp. Dress for our time <\/b>is a performance featuring Bianca Balti in Venice, now a video installation for the exhibition Rothko in Lampedusa <\/strong>organized by UNHCR, the United Nations High Commissioner for Refugees, curated by Venetians Luca Berta<\/strong> and Francesca Giubilei<\/strong> on the occasion of the 58th International Art Exhibition of Venice<\/strong>.<\/p>\n

The shelter-dress is a project by Helen Storey<\/b>, artist and designer from the London College of Fashion at the University of the Arts London, to raise awareness about the dramatic condition experienced by over 68.5 million people uprooted from their homes by war and violence.<\/p>\n

\u201cThrough art, people in flight keep their humanity alive<\/strong>, their dignity, and rekindle the hope of rebuilding their country,\u201d stated Carlotta Sami<\/strong>, UNHCR<\/strong><\/a> Spokesperson for Southern Europe. In collaboration with London College of Fashion<\/strong> and Goldsmiths College, University of London<\/strong>, UNHCR and the Rothko in Lampedusa <\/em>exhibition are organizing the Spreading CreActivity<\/strong> round table to reflect on the role of creativity for women and men living as refugees, with contributions from Matteo Ward<\/strong>, Frances Corner, Lina Abirafeh, Sue Clayton, Carlotta Sami, Pratap Rughani<\/strong>. Read more<\/a> <\/p>\n

Program<\/strong>:
\n6:00 PM \u2013 Presentation and opening of the conference
\n6:15 PM \u2013 THINK TANK I Dress For Our Time<\/strong>, conversation: Pratap Rughani, Helen Storey, Matteo Ward
\n6:45 PM: break
\n7:00 PM \u2013 THINK TANK II From displacement to empowerment<\/strong>: how can we empower women and girls to create new futures? Conversation: Frances Corner, Sue Clayton, Carlotta Sami, Lina Abirafeh
\n7:45 PM: Question time. <\/p>\n

\n \n \"\" <\/a>\n \n \"\" <\/a>\n <\/div>\n<\/div>\n
\n \n \"Professor <\/a>\n \n \"\" <\/a>\n \n \"Matteo <\/a>\n <\/div>\n<\/div>\n

<\/h3>\n

Closing Party of the exhibition La Regola del Sogno<\/h3>\n

Last day to immerse yourself once more in the oneiric dream of Fornasetti at T Fondaco dei Tedeschi<\/strong>. A party with a DJ set among irreverent monkeys, female faces, and suspended hands on Friday, November 22 <\/strong>from 9:30 PM marks the finissage of the exhibition <\/strong>La Regola del Sogno<\/a><\/strong>, an installation by Barnaba Fornasetti and Valeria Manzi. <\/p>\n

DJ set by Andrea Peso<\/strong>. Cocktails by Lucas Kelm<\/strong> of Amo Restaurant, T Fondaco dei Tedeschi. <\/p>\n

\n \n \"\" <\/a>\n \n \"\" <\/a>\n \n \"\" <\/a>\n <\/div>\n<\/div>\n

Festa della Madonna della Salute<\/h3>\n

November is a month with strong symbolic meaning for Venetians because on November 21, the Madonna della Salute<\/strong> is celebrated. Throughout the day, the city’s most majestic church is open without interruption, and to facilitate the pilgrimage, a votive bridge<\/strong> connecting the two banks is erected over the Grand Canal. The bridge will remain open continuously until 6:00 AM on Friday, November 22. <\/p>\n

The anniversary originates from the great plague epidemic<\/strong> that struck all of northern Italy between 1630 and 1631. On October 22, 1630, the Doge of Venice made a vow to erect a grandiose and solemn votive temple if the city survived the disease. A few weeks later, the epidemic slowed down abruptly and then regressed until it died out in November 1631. The government then decreed to repeat every year, as a sign of gratitude, the procession in honor of the Madonna<\/strong>, known since then as the “Salute,” and the government of the Republic commissioned Baldassare Longhena<\/strong> for the design of the temple. <\/p>\n

\n \n \"Feast-of-the-Madonna-della-Salute-2\" <\/a>\n \n \"Palazzo <\/a>\n \n \"Gabriel-Bella-Marriage-at-the-Salute\" <\/a>\n <\/div>\n<\/div>\n

Free admission to Palazzo Grassi for students and residents, events and workshops<\/h3>\n

On the occasion of the Feast of the Madonna della Salute, on Thursday, November 21<\/strong>, admission to the museums of Punta della Dogana<\/strong> and Palazzo Grassi<\/strong> is free<\/strong> for residents of the Metropolitan City of Venice and for students of Venetian universities<\/strong>. At the Teatrino di Palazzo Grassi at 6:30 PM, the electro-acoustic artist and composer Tarek Atoui<\/strong> presents the performance THE GROUND Sessions. Find out more<\/span><\/a> <\/p>\n

Thursday, November 21, 2019<\/strong>
\nTarek Atoui – THE GROUND Sessions<\/strong>
\nPalazzo Grassi and Teatrino di Palazzo Grassi<\/strong><\/p>\n

THE GROUND Sessions<\/strong><\/a> is a series of performances<\/strong> written by electro-acoustic artist and composer Tarek Atoui<\/strong>, derived from the composition THE GROUND currently on display at the 58th International Art Exhibition. For each movement, Tarek Atoui composes intricate sound environments, inviting other performers to participate. Read more<\/a><\/p>\n

Thursday, November 21 from 6:30 PM<\/strong>
\nTeatrino di Palazzo Grassi<\/strong>
\nMusicians Alan Affichard<\/strong>, Igor Porte<\/strong>, and Rosario Sorbello<\/strong> improvise together with Tomoko Sauvage<\/strong> in the foyer of the Teatrino, while in the auditorium Daniel Araya<\/strong> reworks the sounds produced by the quartet and transforms them into techno, ambient, and acid music<\/strong>.
\nFree admission while seats last.<\/p>\n

Saturday, November 23 at 3:00 PM<\/strong>
\nGrand Tour with S.M.A.K.<\/strong>
\nTeatrino di Palazzo Grassi<\/strong>
\nHow can a contemporary art museum, in its role as a cultural institution, tourist attraction, and socio-cultural actor, remain in contact with the society that surrounds it? Palazzo Grassi \u2013 Punta della Dogana hosts the new edition of Grand Tour<\/strong>, this year curated by S.M.A.K., Stedelijk Museum voor Actuele Kunst<\/strong><\/a>, the contemporary art museum of Ghent<\/strong> (Belgium). Meeting in English. <\/strong>Participation by invitation. <\/p>\n

3:00 PM and 4:30 PM<\/strong>
\nI wish I was my own country so I could be home anywhere – Create your own flag<\/em>
\nWorkshop for everyone in Italian, English, and French<\/strong>. Participants are invited to identify the values that matter most in their lives to conceive colorful flags depicting real people and universal themes such as love, peace, compassion, family, and home. The workshop relates to the work carried out by the S.M.A.K. museum with refugees<\/strong> and seeks to give a voice to those who cannot speak. Free admission while seats last, by reservation: Free registration<\/span><\/a> <\/p>\n

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\n \n \"\" <\/a>\n \n \"Scianna\" <\/a>\n \n \"Tessitura <\/a>\n <\/div>\n<\/div>\n

Until November 24<\/strong>
\nCasa Dei Tre Oci, Venice<\/strong>
\n#VeneziaAllOpera<\/strong>
\nA look at hidden Venetian arts<\/strong>
\nAt the Casa Dei Tre Oci <\/strong>on Giudecca, it is possible until November 24 to discover Venetian excellence in craftsmanship<\/strong> with a photographic exhibition: Venezia All’Opera<\/strong> showcases 14 historic entities <\/strong>of the Venetian artisanal tradition through the eyes of two young photographers, Giovanni Genzini<\/strong> and Alberto Papagni<\/strong>, guided by Denis Curti<\/strong>, curator of the exhibition and Artistic Director of the Casa dei Tre Oci<\/strong>, where the retrospective of Ferdinando Scianna<\/strong>, a reference figure in international contemporary photography, remains until February 2, 2020<\/strong>, curated by Denis Curti<\/strong>, Paola Bergna<\/strong>, and Alberto Bianda<\/strong>. Read more<\/a><\/p>\n

Saturday, November 23 at 5:00 PM<\/strong>
\nSounds words stories<\/strong>
\n“Books are among the few images of the future that men have been able to invent,” says Ferdinando Scianna<\/strong> regarding his collaborations with writers such as Sciascia, Borges, and Montalb\u00e1n. An engaging experience between sound suggestions and readings aloud.
\nVoice Sabina Italiano<\/strong>, double bass Marco Centasso,<\/strong> clarinet Alberto Collodel<\/strong>. Information<\/a> <\/p>\n

 <\/p>\n

\n \n \"BUSTROFEDICO_12\" <\/a>\n \n \"BUSTROFEDICO_\" <\/a>\n <\/div>\n<\/div>\n

 <\/p>\n

Saturday, November 23, 2019, at 8:00 PM<\/strong>
\nBUSTROFEDICO<\/strong> by Anna Franceschini<\/strong>
\nSala Cesetti – Bauer Hotel <\/strong><\/p>\n

On Saturday, November 23 at 8:00 PM, the short film created by Anna Franceschini<\/strong> and produced by In Between Art Film<\/strong> and Gluck50<\/strong> will be presented in the Sala Cesetti<\/strong> of the Hotel Bauer<\/strong>. BUSTROFEDICO<\/strong> is a special project documenting the exhibition for the Italian Pavilion<\/strong> of the 58th International Art Exhibition of the Venice Biennale Neither this nor another: The challenge to the Labyrinth<\/strong><\/em>, curated by Milovan Farronato<\/strong>. <\/p>\n

The exhibition brings together works by Enrico David<\/strong>, Chiara Fumai<\/strong>, and Liliana Moro<\/strong>. The screening is followed by a special performance by the Italian writer Isabella Santacroce<\/strong>, who will transport the audience from the labyrinthine dimension of the exhibition to the equally intricate and enchanting dimension of her literature. <\/p>\n

As unique as the entire project is the finissage of the Italian Pavilion exhibition: an afterparty curated by the electronic music duo Blinky<\/strong> at the Piccolo Mondo <\/strong>nightclub at the Accademia.<\/p>\n

\n \n \"\" <\/a>\n \n \"GG\" <\/a>\n <\/div>\n<\/div>\n

Opening of the exhibition I dreamed a dream curated by Domenico de Chirico<\/strong><\/h3>\n

Saturday, November 30 at 6:00 PM<\/strong>
\nOpening of the exhibition
\n<\/strong>I dreamed a dream \u2013 Chapter 1
\n<\/strong>curated by Domenico de Chirico<\/strong>
\nMarignana Arte<\/strong><\/p>\n

Artists: Giuseppe Adamo, Stijn Ank, Mats Bergquist, Nancy Genn, Sophie Ko, Artur Lescher, T\u00falio Pinto, Anne Laure Sacriste, Antonio Scaccabarozzi, Ver\u00f3nica V\u00e1zquez.<\/strong><\/p>\n

The dream is a psychic phenomenon linked to sleep, which generally occurs during REM sleep phases, and is strongly characterized by the perception, even in a fragmentary way, of images and sounds recognized as apparently real.<\/p>\n

The exhibition is conceived as the content of a never-revealed dream in which various images follow one another, like the fantastic reproduction that takes place in the consciousness of the content of a sensory experience or the free elaboration of what could be the content of such an experience.<\/p>\n

Each work is accompanied by verses by the poet Paolo Gambi<\/strong>, which seek to penetrate the essence of creation and translate it into words, from the experimental perspective of an exploration of the relationship between visual art and poetry. Read more<\/a><\/p>\n

\n \n \"\" <\/a>\n \n \"marignanaarte\" <\/a>\n <\/div>\n<\/div>\n

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 <\/p>\n

Children<\/strong><\/p>\n

For the little ones, KIDS DAYS<\/strong> organized by the Peggy Guggenheim Collection<\/strong> return, free workshops aimed at children aged between 4 and 10 that take place every Sunday from 3:00 PM to 4:30 PM<\/strong> at the museum. The project introduces young visitors to modern and contemporary art in an accessible and engaging way. Read here<\/a> to discover the upcoming appointments. <\/p>\n

Saturday, November 23 at 4:00 PM
\nTHREAD AND SHADOW. PORTRAITS IN FORM! <\/strong>
\nCasa dei Tre Oci<\/strong>
\nA workshop<\/strong> for children aged 6 to 10 on Saturday, November 23 at 4:00 PM<\/strong>.<\/p>\n

Read more<\/a><\/p>\n

\n \n \"AuditoriumAuditorium of S. Giorgio by Marco Valmara<\/span><\/span><\/span> <\/a>\n \n \"barchetta-veneziadavivere-celestalis\" <\/a>\n <\/div>\n<\/div>\n

Photos are by Marco Valmarana @marcovalmarana, Lorenzo Cinotti @celestalis, and Laura Scarpa <\/em>for Venezia da Vivere.<\/em><\/p>\n

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