{"id":44776,"date":"2026-04-20T03:59:51","date_gmt":"2026-04-20T01:59:51","guid":{"rendered":"https:\/\/www.veneziadavivere.com\/collateral-events-of-the-2026-art-biennale\/"},"modified":"2026-04-28T12:54:16","modified_gmt":"2026-04-28T10:54:16","slug":"collateral-events-of-the-2026-art-biennale","status":"publish","type":"post","link":"https:\/\/www.veneziadavivere.com\/en\/collateral-events-of-the-2026-art-biennale\/","title":{"rendered":"Collateral Events of the 2026 Art Biennale"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<\/p>\n<div class=\"figure\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-42259 size-full\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2026\/01\/Davide-Bugarin-Angel-Cohn-Castle-and-Morven-Gregor-at-Mount-Stuart-House_-Photo-by-Neil-Hanna-courtesy-Scotland-in-Venice.jpg\" alt=\"\" width=\"1280\" height=\"800\"><\/div>\n<h2>Discover the 31 Collateral Events of the 2026 Art Biennale<\/h2>\n<h3>CATALONIA<\/h3>\n<ul>\n<li><strong>Title: <\/strong><em>Paper Tears<\/em><\/li>\n<li><strong>V<\/strong><strong>enue:<\/strong> <a href=\"https:\/\/www.docks-cucchini.com\" target=\"_blank\" rel=\"noopener nofollow\">Docks Cantieri Cucchini<\/a>, San Pietro di Castello 40\/A<\/li>\n<li><strong>Artist:<\/strong> Claudia Pag\u00e8s Rabal<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.papertears.llull.cat\" target=\"_blank\" rel=\"noopener nofollow\">Institut Ramon Llull<\/a> presents the Catalan project by Claudia Pag\u00e8s Rabal.<\/p>\n<h3>WALES<\/h3>\n<ul>\n<li><strong>Title:<\/strong> <em><strong>Sownd<\/strong><\/em><\/li>\n<li><strong>Venue: <\/strong>Istituto Santa Maria della Piet\u00e0, Castello 3703<\/li>\n<li><strong>Artists:<\/strong> <a href=\"https:\/\/manonawst.com\" target=\"_blank\" rel=\"noopener nofollow\">Manon Awst<\/a> and <a href=\"https:\/\/dylanhuw.com\" target=\"_blank\" rel=\"noopener nofollow\">Dylan Huw<\/a><\/li>\n<\/ul>\n<p>Sculpture, ecology, and cynghanedd\u2014<strong>the ancient Welsh art of poetic harmony<\/strong>\u2014intertwine in the project that <strong>Manon Awst and Dylan Huw<\/strong> bring to Venice for Wales&#8217;s return to the Biennale after seven years.<\/p>\n<p>Awst, an artist from Caernarfon with architectural training at Cambridge and a decade spent in Berlin, creates <strong>site-specific works that investigate the tension between human structures and the more-than-human world<\/strong>, while Huw, a writer and critic, treats research as &#8220;time-based media&#8221; through <strong>translinguistic methodologies<\/strong>.<\/p>\n<p>The project is rooted in Welsh traditions of &#8220;liveness&#8221; and site-specific performance, connecting Cymru and Venice through language, culture, and geographical space. &#8220;<em>I was still an Architecture student during the first Wales in Venice in 2003<\/em>,&#8221; Awst recalls. &#8220;<em>That show inspired me to think beyond disciplinary boundaries.<\/em>&#8221;<\/p>\n<h3>HONG KONG<\/h3>\n<ul>\n<li><strong>Title: <em>Stop: Hong Kong in Venice<\/em><\/strong><\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.labiennale.org\/it\/bacheca\/478\" target=\"_blank\" rel=\"noopener nofollow\">Campo della Tana<\/a>, Castello 2126<\/li>\n<li><strong>Artists:<\/strong> <a class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.hkadc.org.hk\/\" target=\"_blank\" rel=\"noopener nofollow\">Kingsley Ng<\/a> and <a class=\"underline underline underline-offset-2 decoration-1 decoration-current\/40 hover:decoration-current focus:decoration-current\" href=\"https:\/\/www.hkadc.org.hk\/\" target=\"_blank\" rel=\"noopener nofollow\">Angel Hui<\/a><\/li>\n<li><strong>Curator:<\/strong> Hong Kong Museum of Art (HKMoA)<\/li>\n<\/ul>\n<p>Two artists, two opposing languages: for the first time since 2009, Hong Kong brings to Venice <strong>a dual voice, the technological one of Kingsley Ng and that of Angel Hui&#8217;s traditional Chinese painting<\/strong>. Ng constructs immersive, site-specific installations that transform space into meditative experience, while Hui reinterprets the gongbi technique by blending it with everyday objects.<br \/>\nThe exhibition explores the poetic rhythms of daily life, seeking connections between two water metropolises like Hong Kong and Venice. <\/p>\n<div class=\"rgg-container\" data-rgg-id=\"2\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"2\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2026\/01\/Manon-Awst-CREDIT-Carys-Huws.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2026\/01\/Dylan-Huw-ph.-Freya-Dooley.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"1.6\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2026\/01\/Artists-Kingsley-Ng-left-and-Angel-Hui-right-will-represent-Hong-Kong-at-the-61st-International-Art-Exhibition-\u2013-La-Biennale-di-Venezia.jpg\" sizes=\"(max-width: 1280px) 100vw, 1280px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<h3>MACAO (CHINA)<\/h3>\n<ul>\n<li><strong>Title: <\/strong><em>Jacone&#8217;s Polyphony <\/em> <\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.labiennale.org\/it\/bacheca\/478\" target=\"_blank\" rel=\"noopener nofollow\">Campo della Tana<\/a>, Castello 2126\/A (opposite the Arsenale entrance)<\/li>\n<li><strong>Artists:<\/strong> <a href=\"https:\/\/www.ericfok.art\" target=\"_blank\" rel=\"noopener nofollow\">Fok Hoi Seng<\/a>, <a href=\"https:\/\/www.aelart.com\/artist\/o-chi-wai-os\" target=\"_blank\" rel=\"noopener nofollow\">O Chi Wai<\/a>, <a href=\"https:\/\/www.gov.mo\/en\/news\/368393\/\" target=\"_blank\" rel=\"noopener nofollow\">Lei Fung Ieng<\/a><\/li>\n<li><strong>Curators:<\/strong> Feng Yan, Ng Sio Ieng<\/li>\n<\/ul>\n<p>A seventeenth-century painter who leaves China to study theology in Macao and becomes a Jesuit priest: the story of Wu Li, known to the Portuguese as Jacone, spans four centuries and arrives at the 2026 Art Biennale through the hands of three contemporary artists: <strong>Fok Hoi Seng, O Chi Wai<\/strong>, and <strong>Lei Fung Ieng<\/strong>, who construct a polyphonic dialogue between past and present, between traditional Chinese painting and Western spirituality, using the landscape master&#8217;s biography as a lens to narrate Macao as a historical crossroads between East and West. The project aligns with the <a href=\"https:\/\/www.veneziadavivere.com\/en\/la-biennale-arte-2026-in-minor-keys-by-koyo-kouoh\/\" target=\"_blank\" rel=\"noopener\">Biennale<\/a> theme <em>In Minor Keys<\/em>, investigating the fusion of culture, faith, and identity in a globalized world, with particular attention to paths of intercultural understanding that preserve roots without renouncing dialogue. <\/p>\n<h3>PALESTINE<\/h3>\n<ul>\n<li><strong>Title:<\/strong> <em>&#8220;___________&#8221; (Gaza \u2013 No Words \u2013 See the Exhibit)<\/em><\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/ecc-italy.eu\/locations\/palazzomora\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Mora<\/a>, Strada Nova, Cannaregio 3659<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.falastin.museum\" target=\"_blank\" rel=\"noopener nofollow\">Palestine Museum US<\/a> presents a project that chooses ellipsis as its title and names Gaza as its field of meaning.<\/p>\n<h3>QATAR<\/h3>\n<ul>\n<li><strong>Title:<\/strong> \u0625\u062f\u0631\u0627\u0643 \u0623\u063a\u0631\u0628 | Aghrab Idr\u0101k: Thresholds of Perception<\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.palazzocavanis.com\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Cavanis<\/a>, Fondamenta Zattere ai Gesuati, Dorsoduro 920<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.qatar.vcu\" target=\"_blank\" rel=\"noopener nofollow\">VCUarts Qatar<\/a> brings a project that works on threshold and perception from its bilingual title onward.<\/p>\n<h3>TAIWAN<\/h3>\n<ul>\n<li><strong>Title: <\/strong><em>Screen Melancholy<\/em><strong><br \/>\n<\/strong><\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/palazzoprigionivenezia.com\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo delle Prigioni<\/a>, Castello, Calle Seconda de la Fava 4209<\/li>\n<li><strong>Artist:<\/strong> <a href=\"https:\/\/www.instagram.com\/liyifanyifanli\/\" target=\"_blank\" rel=\"noopener nofollow\">Li Yi-Fan<\/a><\/li>\n<li><strong>Curator:<\/strong> Raphael Fonseca<\/li>\n<\/ul>\n<p>A video installation on the relationship between humans and image-production software. <strong>Li Yi-Fan<\/strong>, born in 1989 in Taipei, defines his creative process as a &#8220;<em>death match between artist and software<\/em>&#8220;: a physical and exhaustive confrontation from which narrative slowly emerges.<br \/>\nThe project analyzes the &#8220;Software as a Service&#8221; model of image-production tools, the influence of specific media on human perception of the world, and images generated by artificial intelligence.<\/p>\n<div class=\"rgg-container\" data-rgg-id=\"4\">    <div class=\"rgg-imagegrid captions-overlay-hover-show captions-effect-slide_up \" data-rgg-id=\"4\">\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2026\/01\/Fok-Hoi-Seng.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n                    <a  title=\"\" data-caption=\"\" class=\" size-full rgg-img\" data-ratio=\"0.66625\">\n                <img decoding=\"async\" class=\"rgg-tile-img\" src=\"https:\/\/www.veneziadavivere.com\/wp-content\/uploads\/2026\/01\/Li-Yi-Fan_photo-credit-Taipei-Fine-Arts-Museum.jpg\" sizes=\"(max-width: 533px) 100vw, 533px\" alt=\"\" loading=\"lazy\" \/>            <\/a>\n            <\/div>\n<\/div>\n<h3>SCOTLAND<\/h3>\n<ul>\n<li><strong>Title:<\/strong> <em>Scotland + Venice: Bugarin + Castle<\/em><\/li>\n<li><strong>Venue: <\/strong><a href=\"https:\/\/art-events.it\/locations\/olivolo\/\" target=\"_blank\" rel=\"noopener nofollow\">Olivolo<\/a>, Castello 59\/C<\/li>\n<li><strong>Artists:<\/strong> <a href=\"https:\/\/bugarincastle.com\" target=\"_blank\" rel=\"noopener nofollow\">Bugarin + Castle<\/a> (Davide Bugarin and Angel Cohn Castle)<\/li>\n<li><strong>Curator:<\/strong> Mount Stuart Trust<\/li>\n<\/ul>\n<p>Edinburgh&#8217;s queer cabaret arrives in Venice: <strong>Davide Bugarin and Angel Cohn Castle, known as Bugarin + Castle<\/strong>, bring to the Biennale a project that uses <strong>the parade as a lens to explore the emotional legacies of shame, pride, and celebration<\/strong>. The Glasgow-based duo, who also perform in drag as Hairy Teddy Bear and Pollyfilla, <strong>unite queer histories, Scottish archives, and Filipino cultural heritage to analyze how sound and costume shape social control<\/strong>.<br \/>\nTheir practice spans performance, cabaret, and architectural methodologies with an explicitly decolonial approach. &#8220;<em>We met in the chaos and noise of Edinburgh&#8217;s queer cabaret<\/em>,&#8221; they recount. &#8220;<em>A decade later, that spirit still guides our practice.<\/em>&#8221; <\/p>\n<h3>BELARUS<\/h3>\n<ul>\n<li><strong>Title:<\/strong> <em>Official. Unofficial. Belarus.<\/em><\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.scuolasangiovanni.it\" target=\"_blank\" rel=\"noopener nofollow\">Chiesa di San Giovanni Evangelista<\/a>, San Polo 2454<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.belarusfreetheatre.com\" target=\"_blank\" rel=\"noopener nofollow\">Belarus Free Theatre<\/a> presents a project that works on the gap between formal representation and non-institutional reality.<\/p>\n<h3>UKRAINE<\/h3>\n<ul>\n<li><strong>Title:<\/strong><em> Still Joy \u2013 from Ukraine into the World<\/em><\/li>\n<li><strong>Venue:<\/strong> <a href=\"http:\/\/www.palazzocontarinipolignac.com\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Contarini-Polignac<\/a>, Dorsoduro 874<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/pinchukartcentre.org\" target=\"_blank\" rel=\"noopener nofollow\">Victor Pinchuk Foundation<\/a> brings a project that works on the persistence of joy in times of war and diaspora.<\/p>\n<h3><em><a href=\"https:\/\/www.asabovesobelow.space\" target=\"_blank\" rel=\"noopener nofollow\">As Above, So Below<\/a><\/em><\/h3>\n<ul>\n<li><strong>V<\/strong><strong>enue:<\/strong> <a href=\"https:\/\/www.serendpt.net\/fabbrica-h3\" target=\"_blank\" rel=\"noopener nofollow\">Fabbrica H3<\/a>, Ex Chiesa dei Santi Cosma e Damiano, Giudecca 624<\/li>\n<li><strong>Curators:<\/strong> <a href=\"https:\/\/www.zeitgeist19.com\" target=\"_blank\" rel=\"noopener nofollow\">ZEITGEIST19<\/a> (curatorial collective)<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.1ocean.org\" target=\"_blank\" rel=\"noopener nofollow\">One Ocean Foundation<\/a> brings to Venice a research program on the ocean, biodiversity, and artistic practices. The exhibition is part of a broader project that interweaves editorial content, talks, and residencies. <\/p>\n<h3><em>BAILE, BOTELLA Y BARAJA<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.magma.gallery\" target=\"_blank\" rel=\"noopener nofollow\">Magma Gallery<\/a>, Castello 1735<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/consolatorem.org\" target=\"_blank\" rel=\"noopener nofollow\">project<\/a> revolves around the figure of Jos\u00e9 Ru\u00ecz and a na\u00eff imaginary linked to Puerto Rico.<\/p>\n<h3><em>Fissures of Light<\/em><\/h3>\n<ul>\n<li><strong>Full title:<\/strong> Fissures of Light \/ Diaspora : dissonances in Fa minor<\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.fondazionedonadallerose.org\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Don\u00e0 delle Rose<\/a>, Fondamente Nove 5038<\/li>\n<li><strong>Websites: <\/strong><a class=\"decorated-link\" href=\"http:\/\/www.unyk-art.ch\/\" target=\"_new\" rel=\"noopener nofollow\">www.unyk-art.ch<\/a> &#8211; <a class=\"decorated-link\" href=\"https:\/\/www.wafrica.art\/\" target=\"_new\" rel=\"noopener nofollow\" data-start=\"3057\" data-end=\"3080\">www.wafrica.art<\/a><\/li>\n<\/ul>\n<p>Displacements, frictions, stratifications.<\/p>\n<h3><em>Hybrids<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/fondoambiente.it\/luoghi\/negozio-olivetti\" target=\"_blank\" rel=\"noopener nofollow\">Negozio Olivetti &#8211; Bene FAI<\/a>, Piazza San Marco 101<\/li>\n<li><strong>Curator(s): <\/strong><a href=\"https:\/\/artecontinua.org\" target=\"_blank\" rel=\"noopener nofollow\">Arte Continua<\/a><\/li>\n<\/ul>\n<h3><em>If All Time Is Eternally Present<\/em><\/h3>\n<ul>\n<li><b>Venue: <\/b><a href=\"https:\/\/progettocultura.intesasanpaolo.com\/patrimonio-artistico\/palazzi-storici\/palazzo-nervi-scattolin\/\" target=\"_blank\" rel=\"noopener nofollow\">Palazzo Nervi Scattolin<\/a>, Campo Manin, San Marco 4866<\/li>\n<li><b>Artists<\/b><strong>:<\/strong> Kandis Williams; Meriem Bennani &amp; Orian Barki; Tai Shani<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.pierluiginervi.org\" target=\"_blank\" rel=\"noopener nofollow\">Pier Luigi Nervi Foundation<\/a> constructs a multi-voiced exhibition, declared from the title onward.<\/p>\n<h3><em>Infinito Cabinet. Maria Cristina Crespo <\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.artecommunications.com\/castello-2145-riva-san-biasio.html\" target=\"_blank\" rel=\"noopener nofollow\">Riva San Biasio<\/a>, Castello 2145<\/li>\n<li><strong>Artist:<\/strong> Maria Cristina Crespo<\/li>\n<li><strong>Website:<\/strong> <a class=\"decorated-link\" href=\"https:\/\/www.circuitodelcontemporaneo.it\/\" target=\"_new\" rel=\"noopener nofollow\" data-start=\"5043\" data-end=\"5082\">www.circuitodelcontemporaneo.it<\/a><\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ecletticaweb.it\" target=\"_blank\" rel=\"noopener nofollow\">Eclettica Cultura dell&#8217;Arte<\/a> presents a project dedicated to Maria Cristina Crespo.<\/p>\n<h3><em>Iv\u00e1n Tovar: Le Retour<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.labiennale.org\/it\/bacheca\/379\" target=\"_blank\" rel=\"noopener nofollow\">Ex Istituto Idrografico<\/a>, Museo Storico Navale, Riva San Biasio, Castello 2148<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.ivantovar.org\" target=\"_blank\" rel=\"noopener nofollow\">Fundaci\u00f3n Iv\u00e1n Tovar<\/a> centers on Tovar&#8217;s return through a monographic exhibition at the former Istituto Idrografico, within the Museo Storico Navale.<\/p>\n<h3><em>Kan Yasuda &#8211; Islands of Silence<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.fondationwilmotte.com\" target=\"_blank\" rel=\"noopener nofollow\">Fondation Wilmotte<\/a>, Corte Nuova, Fondamenta dell&#8217;Abbazia, Cannaregio 3560<\/li>\n<li><strong>Artist:<\/strong> <a href=\"https:\/\/www.kan-yasuda.co.jp\" target=\"_blank\" rel=\"noopener nofollow\">Kan Yasuda<\/a><\/li>\n<\/ul>\n<h3><em>Lee Ufan<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.smacvenice.org\/whats-on\/lee-ufan\" target=\"_blank\" rel=\"noopener nofollow\">SMAC &#8211; San Marco Art Centre,<\/a> Piazza San Marco 105<\/li>\n<\/ul>\n<h3><a href=\"https:\/\/www.bulgari.com\/it-ch\/fondazione.html\" target=\"_blank\" rel=\"noopener nofollow\">Fondazione Bvlgari<\/a> (Biblioteca Nazionale Marciana)<\/h3>\n<ul>\n<li><strong>Title:<\/strong> Lara Favaretto, <em>Momentary Monument \u2013 The Library<\/em> \/ Monia Ben Hamouda, <em>Fragments of Fire Worship<\/em><\/li>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/bibliotecanazionalemarciana.cultura.gov.it\" target=\"_blank\" rel=\"noopener nofollow\">Biblioteca Nazionale Marciana<\/a>, Piazza San Marco 7<\/li>\n<\/ul>\n<h3><a href=\"https:\/\/bibliotecanazionalemarciana.cultura.gov.it\" target=\"_blank\" rel=\"noopener nofollow\"><em>Nabatele<\/em><\/a><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Isola di San Giorgio Maggiore<\/li>\n<\/ul>\n<p>Montreal Jewish Museum presents&#8230;<\/p>\n<h3><em>Of Woman Born<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.labiennale.org\/it\/bacheca\/4108\" target=\"_blank\" rel=\"noopener nofollow\">Magazzini del Sale n. 5<\/a>, Fondamenta Zattere Ai Saloni, Dorsoduro 262<\/li>\n<li><strong>Artist:<\/strong> Nalini Malani<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.knma.in\" target=\"_blank\" rel=\"noopener nofollow\">Kiran Nadar Museum of Art<\/a> presents a monographic project on Nalini Malani with a title that evokes genealogies, birth, and the cultural construction of the body.<\/p>\n<h3><em>Pedagogy of Hope<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Radio Vanessa, 1923 Castello (FM 101.8 MHz) + online until November 22<\/li>\n<li><strong>Website:<\/strong> <a class=\"decorated-link\" href=\"https:\/\/www.radio.gamec.it\/\" target=\"_new\" rel=\"noopener nofollow\" data-start=\"9771\" data-end=\"9797\">www.radio.gamec.it<\/a><\/li>\n<\/ul>\n<p>A Collateral Event in radio form: a few days on FM, then online. The project shifts the exhibition from the white cube to the broadcast schedule. <\/p>\n<h3><em>Ronald Ventura: Luna<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.docks-cucchini.com\" target=\"_blank\" rel=\"noopener nofollow\">Docks Cantieri Cucchini<\/a>, San Pietro di Castello 40\/A<\/li>\n<\/ul>\n<h3><em>Shifting Waters <\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> <a href=\"https:\/\/www.eres-foundation.com\" target=\"_blank\" rel=\"noopener nofollow\">Fondazione ERES<\/a>, Ca&#8217; Sarasina, Castello 1228<\/li>\n<\/ul>\n<p>A title that works through images: shifting water, mobile boundaries, forms in transition.<\/p>\n<h3><em>Song E Yoon: Songs Across Time<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Spazio 996\/A, Fondamenta Sant&#8217;Anna, Castello 996\/A<\/li>\n<li><strong>Artist:<\/strong> Song E Yoon<\/li>\n<\/ul>\n<p>The <a href=\"https:\/\/www.artnycnewyork.com\" target=\"_blank\" rel=\"noopener nofollow\">Foundation of ART NYC<\/a> dedicates a project in which Song E Yoon establishes a temporal axis between archive, memory, and crossings.<\/p>\n<h3><em>Su Xiaobai&#8217;s Alchemical Universe<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Palazzo Soranzo Van Axel, Cannaregio 6099, 6071, 6072<\/li>\n<li><strong>Artist:<\/strong> Su Xiaobai<\/li>\n<\/ul>\n<p>A monographic project on <a href=\"https:\/\/www.suxiaobai-foundation.org\/foundation\" target=\"_blank\" rel=\"noopener nofollow\">Su Xiaobai<\/a> that declares an &#8220;alchemical&#8221; lexicon.<\/p>\n<h3><em>Tadeusz Kantor (1915\u20131990). Emballage, Cricotage and Madame Jarema <\/em><\/h3>\n<p><strong>Venue:<\/strong> Procuratie Vecchie, Piazza San Marco 139 \u2013 153\/A<\/p>\n<p>The <a href=\"https:\/\/www.starakfoundation.org\" target=\"_blank\" rel=\"noopener nofollow\">Starak Family Foundation<\/a> brings Kantor to the Procuratie Vecchie with a project that aligns three nuclei: packaging as gesture, &#8220;cricotage&#8221; as theatrical device, and the figure of Madame Jarema.<\/p>\n<h3><em>The Spirits of Maritime Crossing 2026<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Palazzo Rocca Contarini Corf\u00f9, Dorsoduro 1057\/D<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.smc.bkkartbiennale.com\" target=\"_blank\" rel=\"noopener nofollow\">Bangkok Art Biennale Foundation<\/a> constructs a project on the sea as cultural infrastructure: crossings, routes, passages.<\/p>\n<h3><em>TURANDOT: To the Daughters of the East<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Palazzo Franchetti, San Marco 2847<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.parasolunit.org\" target=\"_blank\" rel=\"noopener nofollow\">Parasol Unit Foundation for Contemporary Art<\/a> presents a project that works through dedication and genealogy: &#8220;to the daughters of the East.&#8221;<\/p>\n<h3><em>Vyacheslav Akhunov: Instruments of the Mind<\/em><\/h3>\n<ul>\n<li><strong>Venue:<\/strong> Palazzo Franchetti, San Marco 2847<\/li>\n<\/ul>\n<p>The work as mental instrumentarium: concepts, signs, devices. A project presented by the <a href=\"https:\/\/www.ccat.uz\/en\" target=\"_blank\" rel=\"noopener nofollow\">Centre for Contemporary Art Tashkent<\/a>. <\/p>\n<p><em>Article by Lucia Pecoraro.<br \/>\n<\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_column_text css=&#8221;&#8221;] Discover the 31 Collateral Events of the 2026 Art Biennale CATALONIA Title: Paper Tears Venue: Docks Cantieri Cucchini, San Pietro di Castello 40\/A Artist: Claudia Pag\u00e8s Rabal The Institut Ramon Llull presents the Catalan project by Claudia Pag\u00e8s Rabal. WALES Title: Sownd Venue: Istituto Santa Maria della Piet\u00e0, Castello 3703 Artists: Manon Awst [&hellip;]<\/p>\n","protected":false},"author":14,"featured_media":42260,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[84,146],"tags":[249,248,252],"class_list":["post-44776","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news","category-biennale","tag-featured","tag-in-primo-piano","tag-tutti-gli-eventi","entry"],"_links":{"self":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/44776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/comments?post=44776"}],"version-history":[{"count":9,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/44776\/revisions"}],"predecessor-version":[{"id":44915,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/posts\/44776\/revisions\/44915"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media\/42260"}],"wp:attachment":[{"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/media?parent=44776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/categories?post=44776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.veneziadavivere.com\/en\/wp-json\/wp\/v2\/tags?post=44776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}